Live: Grass Widow

This review is late.  It was supposed to be up early last week, but, ya know.

So Grass Widow.  Everybody's nuts for these three girls from Oakland, CA, and the other weekend was the first time I'd seen them live.

Basically: yes, the live up to the hype.  It looked like about every decent musician in Brooklyn had turned out to see them at one of their two DIY shows.  I caught up with them at Death By Audio.

Grass Widow's greatest strength is melody, and it translates well live.  All three members of Grass Widow sing on pretty much every song, weaving melodies and harmonies deftly.  And their melodies are great - sticky sweet but always just a little strange and off-centered.  While many bands who seem to receive praise for their melodies actually fail to generate the momentum that comes with melodic arcs (rather than just three notes repeated, cough cough), Grass Widow's songs don't drag.

But the melodies alone aren't what makes this band so charming.  It's that their tunes are so unpolished.  The singing is decidedly amateur in sound and the instruments are equally raw - but that's not to say the band is unpracticed.  Having three melodic lines in addition to three instruments would pose a challenge to incompetent musicians, but these three ladies are locked in as tightly as I've heard any band in quite a while.

The band's ramshackle pop does have moments where vulnerability seems teeter on the brink of wimpiness, but there are also moments of pure bravery - such as a long section entirely unaccompanied by instruments.  That's no small thing, dropping the sound out of your band to the point where you can hear exactly what proportion of the audience is bored and has turned to their friends for a chat.  In this case, though, most of the audience was rapt.

The set was concise, ending quickly but not flagging for a minute.  And any doubts I had about the group's musical sincerity were assuaged by the bands they played with - experimental, feminist noise like Talk Normal and Broken Water (at Death By Audio) and K-Holes (at Glasslands).  Grass Widow are the real thing - a band with true talent and true inspiration.  Believe the hype. [myspace]

##

Album: Sisters - Ghost Fits

Album: Ghost Fits
Narnack, 2010
Rating: ******* (7/10)

Sisters, a poppy, fuzzy noise punk duo out of Brooklyn's Death By Audio family, piqued my interest at a spirited show at loft space Dead Herring House last year, and won my heart at the second show I attended. Drums'n'guitar duos aren't exactly a rare breed these days. Starting with the White Stripes' bold embrace of raw minimalism around the beginning of the 2000's, the theory that you only really need two people to make noisy songs (outside of electronica) has become increasingly tested and confirmed by bands like California's No Age, the similarly named Japanther and Japandroids and Sisters' associates (via Death By Audio Records) Jeff the Brotherhood. The considerable force of personality and exuberant energy needed to make a two-man band really pop, along with the sloppy, joyous freedom endowed by a simple two-part arrangements, makes these bands the most energetic and youthful sounding of the times.

Sisters is no exception. There is something distinctly untamed and young about them, and while it can be hard to capture this spirit in the studio, Ghost Fits succeeds remarkably well. Much of that has to do with the frenetic, spastic (yet spot-on) drumming of Matt Conboy, a tall, wild-haired man who at live shows dwarfs his bare-bones drumset. Aaron Pfannebecker's lo-fi guitar and youthful melodies jump on top of Conboy's reckless, crashing beats like a cowboy on a bronco. Bands with more members must play "tightly" and are commended for doing so. However, the two-part arrangements of Sisters allow for a looseness that has all the sloppy trappings of pure joy.

Ghost Fits is a collection of well-written pop gems, each boasting a catchy, unrefined melody. Among two-man bands of their style, Sisters may come closest to No Age; both bands display a remarkable depth of sound drawn mysteriously from a single guitar. Sisters' sound may not be as rich as No Age - their music is a little rawer - but there is a delicious lot of noise and no thin-sounding moments or uncomfortable gaps. (Granted, Sisters, unlike No Age, do use prerecorded tracks to cover more than two parts on occasion.)

Many of the songs are somewhat reminiscent of Thurston Moore and Sonic Youth, albeit in a less-than-obvious way. Pfannebecker builds many non-key chords on those open fourths and sweetly discordant harmonies famously explored by Sonic Youth, and even uses a similar clean, ringing tone in quieter moments. Meanwhile, Pfannebecker's melodies follow similar heartfelt flat-falling contours to Moore's more uptempo works.

It's difficult to pick highlights from the album; the consistency of the songwriting is remarkable. Centerpiece "Highway Scratch," with its bright, toy-keyboard melody, has been floating around for a while and remains one of the band's most lovable songs (which is saying something). Perhaps the record's most complex song, "Courthouse" doesn't lose momentum, even as it drifts away from a standard pop format. "Leaving Home," near the close of the album, features the deep whammy pitch-shifts of Isn't Anything-era My Bloody Valentine, with the chords bending in and out of key under one of the album's most creative melodies. At second-to-last, "Visions" is another winner, flipping between a tense, hushed, Sonic Youth-y verse and a crashing, thick and straight-forward chorus.

But the beginning of the album is just as strong, with simple treats like the opening track "The Curse." Sewn together with an earworm of a melody, the song points towards traditional lo-fi bands like Pavement, but with its 2010-style delighted simplicity, it entirely avoids sounding like a 90's throwback. The warm, technicolor "Glue" is even more irresistible, while the full-bodied "Sky" kicks the album's intensity up a notch (but still keeps it fun).

The soft, sweeping roar of the closing track, while not the strongest song on the album, does give it a sense of scope and completion. Although the catchiness of the songs almost makes this sound like a singles collection, it all adds up to a coherent LP. Throughout the record runs a current of youthful, openhearted sincerity. Sisters are refreshing in their almost naive simplicity - their sound is multidimensional enough but they hide behind nothing; they really mean it. Ghost Fits was made with love and it shows.

Upcoming Shows: AIDS Wolf, Sleigh Bells + more

Friday, September 17

AIDS Wolf, An Albatross, Sightings, Vaz @ Death by Audio * Williamsburg, Brooklyn
This should only be, like, the best, nastiest noise show of the year. Just go. [AIDS MySpace] [Albatross MySpace] [Sightings MySpace] [Vaz MySpace]


Saturday, September 18

Superchunk, Let's Wrestle @ Bowery Ballroom * LES, Manhattan * SOLD OUT
The quintessential 90's American indie band, leaders of the illustrious Chapel Hill scene and founders and flagship band of the indie great Merge, Superchunk are, if nothing else, a piece of history. Let's Wrestle are their okay-but-not-amazing signees from the U.K. [Superchunk MySpace] [Wrestle MySpace]

No Age, Small Black @ Music Hall of Williamsburg * Williamsburg, Brooklyn * $15
Noise-punk duo No Age combine contemporary punk and indie, catchy melodies and shoegaze noise. Go. And jump in the pit. Do it. Small Black is opening, they're a pretty good synth-based poppy, noisy band. Worth checking out. [NA MySpace] [SB MySpace]


Sunday, September 19

Superchunk @ Music Hall of Williamsburg * Williamsburg, Brooklyn * SOLD OUT
See above, minus Let's Wrestle.

Dinowalrus @ Union Pool * Williamsburg, Brooklyn
If you want to go to a show that's not sold out, go see drug experimental trio Dinowalrus. They are weird but you can dance to their music, especially if you do a lot of drugs. Even if you don't, it's got a brilliant, unpredictable pop edge. Plus, Pitchfork called the frontman a "heartthrob" and I can see it. [MySpace]


Monday, September 20

Sleigh Bells @ Webster Sudio * East Village, Manhattan * SOLD OUT
Sleigh Bells are the band of 2010. Their hip-hop beats, razor-edged hardcore-style guitar and saccharine, girlish vocals combine to make a sound fully the band's own, without ripping anyone off and without drenching themselves in nostalgia for one or another bygone decade. Why they're playing a leeeettle venue like this one instead of upstairs, I don't know. The show's sold out but maybe if you're clever you can find a way to get in. You should try, it will be worth it. [MySpace]


Tuesday, September 21

Wavves, Babies @ Music Hall of Williamsburg * Williamsburg, Brooklyn * $15
Oh Nathan Williams, our mullethawked, baby-faced, drug addict crash-and-burn SoCal lo-fi surf punk star, your detractors say you're passe, but that's simply wishful thinking. Guys, this kid isn't done yet. He's got real skill and he may not have handled his rise to fame with maturity, but cut him some slack, he's barely old enough to drink legally. His tunes are simple, raw, youthful punk gems drenched in noise. Babies is an NYC scene supergroup feature members of Vivian Girls, Woods, Stupid Party and Bossy (one apiece). Not a shabby roster. [Wavves MySpace] [Babies MySpace]


The long view...

September
25
Titus Andronicus, Screaming Females @ Webster Hall
PC Worship, MV+EE @ Death by Audio

26
Xiu Xiu, Merzbow, Ecstatic Sunshine @ Le Poisson Rouge

27
M.I.A. @ Terminal 5

28
Schonen Knife, Grooms @ Knitting Factory
Forgetters (album release) @ Death by Audio

30
Film School, Depreciation Guild, Home Video @ Glasslands

October
1
Foals @ Bowery Ballroom (SOLD OUT)

2
Foals @ Music Hall of Williamsburg (SOLD OUT)

3
Chapterhouse, Ulrich Schnauss, Mahogany @ Bell House
Efterklang, Xylos @ Glasslands

4
Chapterhouse, Ulrich Schnauss, Soundpool @ Le Poisson Rouge

5
Marnie Stern @ Rock Shop

8
Swans @ Brooklyn Masonic Temple

9
Swans @ Bowery Ballroom

13
Deerhoof @ Le Poisson Rouge

23
AIDS Wolf, Heavy Cream, Screens @ Knitting Factory

26
Japandroids, A Place to Bury Stranger @ Death by Audio

27
Jeff the Brotherhood, Ninja Sonik, Elks @ Music Hall of Williamsburg

November
7
Guided by Voices (original line-up) @ Terminal 5 (SOLD OUT)

Album: Beach Fossils - Beach Fossils

Album: Beach Fossils
Captured Tracks, 2010
Rating: ******* (7/10)

Here's a shocker! I don't hate the Beach Fossils album (self-titled, out today). I really thought I would, cause when I saw this band live, they just annoyed me and my tolerance has certainly not grown over time. But I have to admit, this album has its moments that are not just passable, but actually good.

Now, let's not get carried away. Beach Fossils still sound pretty much like the 9,000 other reverby, lo-fi-ish indie bands that are so popular right now. You know, the kind that make up 95% of Todd P bills and 50% of Stereogum playlists. But as I remarked after the last show, this band is definitely better in than most of them - they have good songs and hooky melodies and even some variance, track to track.

The opening track, though hitting it off in a major key, seems to herald something subtly sinister. Post-punk darkness casts a shadow over the sound. In fact, despite the name, this band little to do with surf and sun - the jangly reverb may take a page from Brian Wilson's book, but the melodies are more British post punk and even C86 than they are surf. In other (non-geek) words, the tunes are at once tight and open, warm and melancholy. "Vacation" is the perfect example - measured vocal harmonies over sparkling, appreggiated guitar chords and a quick but hushed, marchy beat.

A little further on, "Twelve Roses" finds the guitar with a richer, more immediate tone while a simple earworm of sung melody rings out in warm layers. "Daydream" falls in and out of step in a touchingly human way, while "Golden Age" kicks out a stronger beat over which guitar and vocals meld to almost indistinguishable tones. Near the end, the explorative guitar riff and sad singing of "Wide Awake" obscure a soft, intensely poignant bass line.

The album also has its share of forgettable tracks, especially arriving as it does in the heyday of its genre. The jazzy bass on the closer, "Gathering," is way overdone (despite being low in the mix) while songs like "Youth" and "Window View" fail to stand out from so many similar songs by similar bands on similar albums.

Still, if we're going to pay attention to anyone in this bloated DIY scene, it may as well be Beach Fossils. There are some moments of real beauty and meaning on Beach Fossils and some signs of real talent. Do you need this album? No. But if this kind of stuff floats your boat, throw out Real Estate and make space on the shelf for these guys.

[myspace]

Album: Woven Bones - In and Out and Back Again

Album: In and Out and Back Again
HoZac, 2010
Rating: ****** (6/10)

I got pretty interested in Woven Bones a few months ago and even meant to put them on my Bands to Watch in 2010 list. I didn't because I lost the paper where I wrote down the list, though, and when I recreated it from memory at the last minute, I missed these guys. But it turns out, it's just as well. In and Out and Back Again is a bit underwhelming. It's not bad, but it sounds like exactly everything that's come out on Siltbreeze or, well, HoZac, in recent years.

The album is a series of crusty, reverb-drenched psych-punk pieces that land on the more agressive and abrasive side of garage rock. The skuzzy, lo-fi production is nice, but hardly anything groundbreaking or even trend-defying. Tom-heavy drum beats thud thud thud and amps feed back a little and some really cool riffs turn up here and there.

Most notable in the melee is the voice of singer Andrew Burr. He doesn't hit a correct pitch once on the album - intentionally - but still manages to map out some supercatchy tunez. The high pseudo-yelp that ends many of his lines is more than a little reminiscent of Iggy Pop, which is a good thing and less cliche than trying to sing like Ian Curtis.

The minimalism and restraint of drummer Carolyn Cunningham and bassist Matty Nichols are just right to support the Burr's best guitar hooks. For example, both the impatient "Half Sunk Into the Seats" and the more measured, Stooges-esque "Creepy Bones" rock crunchy, spy-movie-worthy themes. Songs like the energetic "Couldn't Help but Stare" and poppy, major key "I'll Be Runnin" keep the album from becoming tedious.

If this album came at a different time, it might fare slightly better, but the whole skuzzy, lo-fi, Jesus & Mary Chain meets Nuggets thing has really been beaten to death in the last few years and I just can't get it up for another intentionally crappy recording with overly reverbed vocals. I don't think this band is trying to jump on a bandwagon, but they have the misfortune of ending up on one anyway, and ending up on it late in the game. Maybe that would be overridden if the songs were amazing, but they aren't. The riffs are solid and the melodies can be pretty head-noddable, but being late-comers to a trend - well, early bird gets the good reviews, I suppose.

[myspace]

Album: Thee Oh Sees - Warm Slime

Album: Warm Slime
In the Red, 2010
Rating: ******* (7/10)

Two adjectives come to mind for Thee Oh Sees - prolific and consistent. And those two adjectives are a rare combination. Thee Oh Sees (and their other incarnations) release a record of some sort every few months, it seems like, and although I haven't listened to them all, all the ones I've listened to have been solid.

Warm Slime is basically a long EP, or maybe a mini LP (seven songs, thirty minutes), and it features the same sort of lo-fi, psychedelic pop-punk that we've come to expect. The melodies are irresistable, the scuzzy guitars delightful, the distorted and reverbed vocals rockin'. The entire record is just plain fun.

The album opens with the classically bluesy title track which rocks as hard as any Oh Sees tune to date. The rolling bass line has attained perfection. The song is thirteen minutes long, ten of which are spent slowly breaking down and noising up and breaking down and noising up the song established in the first three. It's too long, but then again, this isn't a proper LP and Thee Oh Sees have earned a little self-indulgence by this time.

The rest of the album continues is a similar vein - lo-fi renditions of what would otherwise totally be classic rock songs or garage rock songs or something from the 60's. The wild "Castiatic Tackle" balances the steady march of "Everything Went Black," while "Mega-Feast" and "MT Work" start the album as lively as it began.

In many ways, it sounds as if Warm Slime were sequenced according to rock convention and then reversed. Starting on the long jam and ending on two catchy and short tunes is a subtle way to keep this record from feeling like we've heard it before.

Warm Slime doesn't break the mold or pave new ground. It's not headline news. But it's full from start to finish with solid tunes and great sound. Thee Oh Sees are a band to count on. [myspace]

Album: Woods - At Echo Lake

Album: At Echo Lake
Woodsist, 2010
Rating: ******** (8/10)

OK, I admit, I'm one of those fickle critics (or wannabe critics) who build a band up and then suddenly turn on them and tear them to shreds. I would fit in well in the UK, where they love to generate insane amounts of hype and declare a band the best thing since the Beatles, then in a fit of sobriety or shame or vengefulness, turn the band into the butt of a national joke. You can't with them, or me.

So last year around this time, Woods were one of my favorite bands. But it's been a long year and my thoughts on music have really evolved since then. I wouldn't take back my reviews of Woods or revoke the nine(!) stars I gave their last album, but I am certainly far less excited about anything related to folk music than I was at the beginning of 2009. The ultraconservative attitudes that have hijacked indie rock have grown increasingly obvious in the last year and I've come to see any music that doesn't challenge the backwards backlash as a dangerous and cowardly abuse of the art form.

On the other hand, I can't ignore or deny that Woods write beautiful music. And I wouldn't even argue that they are derivative. They have forged a unique sound that, yes, pulls audibly from Neil Young and the Grateful Dead but spins it as something distinctly post-2000. Drenched in LSD, their warbly, poppy folk and shimmering, folky pop conveys an intangible sense of mystery, like the band is playing from very far away.

At Echo Lake is pretty much like every other Woods album. Of the four, this has the most consistent quality of songs - and keeps them all well under the five minute mark. The arrangements are the richest and most complex the band has offered to date, showing a growing musical sophistication.

The real skill that has always set Woods apart is their ability to write beautiful melodies and Echo Lake shows they haven't yet exhausted the well. Centerpiece "Time Fading Lines" is a particularly notable melancholy masterpiece. Early on in the album, "Suffering Season" shows Woods exploring new layers of sound while earthy, simple songs like "Get Back" keep the record down to earth. And despite a more major-key opening than previous Woods albums, that same darkness lurks just behind the music.

Woods remain one among the finest songwriters on the indie scene today and their sonic experiments are distinctly their own. After seeing Sleigh Bells tonight, a folk-tinged lo-fi psychedelic band seems pretty insignificant in the progression of pop music, but this is pure beauty, at once saccharine and haunting, in sonic form, and that's worth a listen or ten.

[myspace]

Album: Male Bonding - Nothing Hurts

Album: Nothing Hurts
Subpop, 2010
Rating: ******** (8/10)

I've been waiting for this album for a long time now, and it's finally here! (Well, tomorrow it is.) Male Bonding are a noise-punk/noise-pop band from the UK who I heard in the middle of the night at CMJ. From the first time I listened to their dang myspace page, I got the sense this is a band of great potential and nothing I've seen since has called that into question.

Nothing Hurts is maybe not quite everything I hoped it would be, but it is above all, a bullshit-free record. It doesn't deal with slow intros and non-song filler. Each track, without a second pause, launches into a speedy guitar blast, cymbals crashing all over the place.

While Male Bonding aren't exactly breaking the mold, they aren't quite like anyone else - too giddy for grunge, too complex for hardcore, too aggressive for pop. Scored, the guitar lines echo some of the best jumpy, distorted walls of sound of the 90's - everything from Jawbreaker to Nirvana to Smashing Pumpkins. However, the intentionally soup and reverb-heavy production is clearly contemporary, as are the earthy vocal melodies. If you follow bands like these, imagine a more straight-forward No Age, more sloppy Jeff the Brotherhood or more sophisticated Wavves.

Although parts of the album could certainly be faulted for being "samey," there are a few that stand out. "Franklin" is far darker and sadder than the surrounding tracks, while "T.U.F.F." shows an angular, metal-influenced side of the band. "Nothing Used to Hurt" starts in a deep buzzing drone of guitar (again, think No Age), then opens into a quick, looping riff and even quicker, briefly minor-key chorus.

Opening tracks "Years Not Long" and "All Things This Way" are easily among the album's best, with melodies that immediately prove Male Bonding are not just the next band in the lo-fi revival - they have something special. For sheer, jubilant energy, though, the album doesn't peak until its second-to-last track, "Pumpkin," with the sort of leaping bass line that makes me jump around my room/the subway platform/the subway car/the middle of the street...yeah, I'm a dork. But you knew that, because I have a blog.

Male Bonding aren't dorks, though. They are just plain awesome. Buy their album. [myspace]

Upcoming Shows: Pterodactyl, Liars + more

Tomorrow! Friday, April 16

Pterodactyl, Dinowalrus, Fiasco @ Death By Audio * Williamsburg, Brooklyn * $7
This is a fucking GREAT line-up, although the bands are playing the opposite order of what would be proper. Fiasco are young guys who play some mathy, lite-thrash, HARRRRDCORE post-hardcore with some sick riffs that are fast and loud and not made for parents or wusses. Dinowalrus play druggy, mathy music that merges electro, rock and punk into some crazy rhythms and madman sprawls. And Pterodactyl play mathy, highspeed noise rock that's insanely fast with crazy sixteenth-note guitar and jumpy drums and ecstatic, drawn out vocal melodies. All three are exceptional live bands. Do not miss. [fiasco myspace] [dino myspace] [ptero myspace]


Saturday, March 17

Sisters @ Death By Audio * Death By Audio * Williamsburg, Brooklyn
Sisters are two guys who are different in height but both enormously talented. They are a bit awkward and noisy, lo-fi pop and punk is absolutely bursting from them. They slam out perfect little songs with delicious imperfection. Death By Audio is their home base, so they should be at their best. [myspace]


Sunday, March 18

Liars @ Music Hall of Williamsburg * Williamsburg, Brooklyn * $16 adv./$18 dos.
Liars play spooky, fragmented dance punk. No one was surprised when they moved to Berlin because they seem all dark and icy and their music has that inhuman krautrock thing to it, krautrock combined with funk combined with a weird, paranoid rhythmic punk. They are one of the most creative bands to come out of the last decade. Go to see them play. [myspace]


Tuesday, April 20

The Thermals @ Brooklyn Bowl * Williamsburg, Brooklyn * $16 adv./$18 dos.
The Thermals are a punk band who play catchy, fun music. Yup. [myspace]

PC Worship @ Shea Stadium * Bushwick, Brooklyn
PC Worship make sonically experimental lo-fi music that slips deftly between sad songs and noise. They are one of the best emerging bands in Brooklyn. Get 'em while they're fresh. [myspace]



[Upcoming Shows Playlist]
The long view...

April
21
Apples in Stereo @ Bowery Ballroom
Killing Joke @ Fillmore at Irving Plaza
Thermals @ Brooklyn Bowl

22
Gang Gang Dance @ Music Hall of Williamsburg
Los Campesinos! @ Fillmore at Irving Plaza
Quasi, Let’s Wrestle @ Bowery Ballroom

24
Don Giovanni presents: Screaming Females (I called it), Measure (SA) @ Mercury Lounge

25
Don Giovanni presents: Shellshag, Noun (Marissa Paternoster of Screaming Females), Black Wine, Pregnant @ Mercury Lounge

30
Styrenes (mems Mirrors, Electric Eels) @ Death by Audio

May
2
Echo & the Bunnymen @ Fillmore at Irving Plaza

3
Chapterhouse @ Bell House

7
Broken Social Scene @ Webster Hall
Caribou @ Music Hall of Williamsburg

8
Broken Social Scene @ Music Hall of Williamsburg
Caribou @ Bowery Ballroom
Primitives, Frankie & the Outs @ Bell House

11
Sleigh Bells @ Market Hotel

15
Parts & Labor, Talk Normal @ Knitting Factory
Thee Silver Mt. Zion Memorial Orchestra @ Music Hall of Williamsburg

16
Thee Silver Mt. Zion Memorial Orchestra @ Bowery Ballroom

19
Spectrum, Vacant Lots @ Knitting Factory

July
24
M.I.A. @ Governor’s Island


[Upcoming Shows Playlist]

Upcoming Shows: Bonnie "Prince" Billy, Werewolves + more

[Upcoming Shows Playlist]

TOMORROW, Thursday, April 1

Werewolves + Soft Black @ Union Pool | Williamsburg, Brooklyn
Either this is an extremely cruel April Fools prank, or Werewolves un-broke up and are playing a show at Union Pool. Werewolves, if you didn't know it, are one of my favorite NYC bands. They play some mixture of late 60's psychedelic rock'n'roll and 90's shoegaze, with warm layers of guitar and keyboard sounds and gnarled vocal melodies. [myspace]

Bonnie "Prince" Billy + Lichens @ Monster Island Basement | Williamsburg, Brooklyn | $12
Bonnie "Prince" Billy plays intensely sad folk music that's more desolate and spooky than mopey. He was one of the seminal indie artists of the 90's. I don't know if he's still as good, though. Still, this is the most intimate venue at which you'll ever have the chance to see him.


Friday, April 2

Bonnie "Prince" Billy @ Monster Island Basement | Williamsburg, Brooklyn | $12
Two shows, early and late. See above.

The Bronx @ Music Hall of Williamsburg | Williamsburg, Brooklyn | $15
The Bronx sits on the heavy, thrashy side of hardcore, but they aren't without their big rock'n'roll pop appeal. They are really rad. [myspace]

Blank Dogs, Wetdog (Captured Tracks Showcase?) @ Glasslands | Williamsburg, Brooklyn | $10
This was once listed as a showcase for the Captured Tracks record label, but it's not now. Doesn't matter, the bands are the same. Blank Dogs, a.k.a. Mike Sniper (who runs Captured Tracks) plays goth music buried under intense layers of lo-fi noise. It will give you the willies. Wetdog are a kind of post punk band of ladies from the UK and I'm not so into them, but they are quite well regarded and popular of late. [blank myspace] [wet myspace]


Saturday, April 3

Soft Pack (f.k.a. Muslims), Nodzzz, Male Bonding @ Music Hall of Williamsburg | Williamsburg, Brooklyn | $12
Soft Pack were cooler when they went by Muslims but they are still pretty good, sort of alt-rock-ish pop punk. Nodzzz are really, really scuzzy, fuzzy lo-fi pop. And Male Bonding play exceptional punk rock, some of the best out there. As one of SubPop's newest signees, they won't be an opening act for much longer. [soft myspace] [nodzzz myspace] [mb myspace]


Monday, April 5

White Suns, PRSMS, Genders, Passive Aggressor @ Bruar Falls | Bruar Falls | FREE
Hardcore shows are always great, but when they're free...well you just can't beat that. Some of the best. Go to this show, no excuses. [white suns myspace] [prsms myspace] [genders myspace] [pa myspace]


Tuesday, April 6

The Bronx @ Bowery Ballroom | LES, Williamsburg | $15
See above.

Asa Ransom @ Cameo | Williamsburg, Brooklyn
Madhouse dance-punk quintet Asa Ransom are having a residency at Cameo. Their stark percussive sound and untamed vocal yelps make them one of the more interesting up-and-coming bands in Brooklyn. Check them out at this or one of their other Cameo shows (later in April). [myspace]


[Upcoming Shows Playlist]
The long view...

April
8
Black Rebel Motorcycle Club @ Webster Hall (SOLD OUT)
High Places @ Market Hotel

9
Black Rebel Motorcycle Club @ Webster Hall
Pissed Jeans, Himalaya @ Knitting Factory
Pygmy Shrews @ Death by Audio
Xiu-Xiu, Tune-Yards @ Bowery Ballroom

14
A.R.E. Weapons @ Death by Audio

15
Liars @ Bowery Ballroom

18
Liars @ Music Hall of Williamsburg

19
Snoop Dogg @ Brooklyn Bowl

20
Snoop Dogg @ Fillmore at Irving Plaza
Sweet Apple (feat. J. Mascis) @ Mercury Lounge
Thermals @ Brooklyn Bowl

21
Apples in Stereo @ Bowery Ballroom
Killing Joke @ Fillmore at Irving Plaza
Thermals @ Brooklyn Bowl

22
Gang Gang Dance @ Music Hall of Williamsburg
Los Campesinos! @ Fillmore at Irving Plaza
Quasi, Let’s Wrestle @ Bowery Ballroom

24
Don Giovanni presents: Measure (SA), “Special Guest” (smart money is on Screaming Females, I think – but it’s no sure thing) @ Mercury Lounge

25
Don Giovanni presents: Shellshag, Noun (Marissa Paternoster of Screaming Females), Black Wine, Pregnant @ Mercury Lounge

30
Styrenes (mems Mirrors, Electric Eels) @ Death by Audio

May
2
Echo & the Bunnymen @ Fillmore at Irving Plaza

3
Chapterhouse @ Bell House

7
Broken Social Scene @ Webster Hall
Caribou @ Music Hall of Williamsburg

8
Broken Social Scene @ Music Hall of Williamsburg
Caribou @ Bowery Ballroom
Primitives, Frankie & the Outs @ Bell House

11
Sleigh Bells @ Market Hotel

15
Parts & Labor, Talk Normal @ Knitting Factory
Thee Silver Mt. Zion Memorial Orchestra @ Music Hall of Williamsburg

16
Thee Silver Mt. Zion Memorial Orchestra @ Bowery Ballroom

19
Spectrum, Vacant Lots @ Knitting Factory

July
24
M.I.A. @ Governor’s Island


[Upcoming Shows Playlist]

Album: Dum Dum Girls - I Will Be

Album: I Will Be
SubPop, 2010
Rating: ******** (8/10)

All I want to do today is talk about how good this album is! Dum Dum Girls is mostly one Dum Dum Girl who goes by "Dee Dee" (real name Kristin Gundred) and has backing from Frankie Rose (Crystal Stilts, ex-Vivian Girls) and a couple of other badass ladies. And this, their debut, has the rare privilege of seeing release on SubPop, the West Coast's most prestigious (pseudo-)indie label.

Sonically, the band falls in with the cavernous reverb and jangly lo-fi popularized by Thee Oh Sees, Rose's Crystal Stilts and Vivian Girls, Gundred's husband's Crocodiles, Blank Dogs' Mike Sniper (who has a side-project with Gundred called the Mayfair Sect) and others. The vocals are dusted with fuzz, but never enough to obscure the fact that Gundred is a singularly gifted singer and songwriter.

The band's name, Frankie Rose connection, fuzz-pop asthetic and all-female membership has led to a whole lot of Vivial Girls comparisons and it's not an unfair reference to make. However, Dum Dum Girls have much more in common with the other bands listed above than with their fellow girl group. And unlike any of the others, Dum Dum girls set a clear focus on vocals. While most bands in this genre have vocals mediocre in pitch, melody and tone, Gundred can sing. She's no Aretha Franklin or anything, but she can definitely carry a damn tune.

Of course, almost inextricably linked to good singing are good melodies. And in terms of melody, Dum Dum girls blow all their ilk completely out of the water. Their tunes smoothly combine decades of pop influences into a single, cohesive style - 60's girl groups and even earlier radio pop, 70's early punk and 80's post punk - pretty much everything cool and catchy that's hit the radio over the last century is here distilled. It's hard to say what makes a melody great - a wider palate than simply major keys, a rolling, foot-tappable syncopation and just enough repetition to stick in your head - but not enough to drive you crazy. Whatever the exact formula, Dum Dum Girls are like few others on the indie scene today - never cliche, relentlessly catchy.

And in all of this, the album somehow avoids complacency. Producer Richard Gottehrer has a resume that includes the likes of Blondie and the Voidoids - he's got the perfect sense of big-pop-meets-intelligent-edginess and the dark sheen with which he covered the album makes every song interesting and effecting.

I Will Be starts out with a bombshell trio of songs, the driving, building "It Only Takes One Night," a slick druggy ditty called "Bhang Bhang, I'm a Burnout" and the fuzzed-out, quick-footed "Oh Mein Me," sung in a surprisingly adorable German. "Jail La La" continues the streak, with effects-scrambled call-and-response vocals and a simple, sweeping chorus. Ballads(ish) like "Rest of Our Lives" and "Blank Girl," as well as the closer, "Baby Don't Go," take things down a notch without getting mired in their own restraint.

I Will Be is just a pop album. But it's a great pop album. Get it on vinyl and put it on when you're cleaning, when your friends are over or when you feel like doing a little dance by yourself in front of the mirror or singing badly in German. That's what it's for.

Album: Let's Wrestle - In the Court of Wrestling Let's

Album: In the Court of Wrestling Let's
Merge, 2010
Rating: ******* (7/10)

I was bit surprised when I first heard British indie popsters Let's Wrestle had signed to Merge Records. Merge is certainly one of the best and most storied American indies, perhaps second only to Subpop (if that counts as "indie") and Matador. And while I adore Let's Wrestle, I didn't think them special enough for a label like Merge. Not in this country, anyway.

Now is when I would love to tell you their new album (out tomorrow) proved Merge's decision and revealed to me that special quality I'd been overlooking in the band for so long. But unfortunately, that's not the case. In the Court of Wrestling Let's is a lovely indie pop album with great little head-bouncing tunes, but it's not special. Merge could have picked any one of dozens of indie pop bands and achieved the same thing - something enjoyable.

In the indie pop world, Let's Wrestle keep a bit of lo-fi rough - not a lot, but enough to keep the band's distinctly indie flavor. In the same vein, it's got a pinch of punk in it, a little wildness. However, the melodies are pure pop. Wesley Gonzalez's plain, plateaued voice is subtly, warmly tuneful and it's his tone that gives the album its distinct identity in a world of similar ideas - too low and just too gruff to be boyish but far too untamed and too innocent to be adult.

As good as all the songs are, they pretty much sound alike. The same offkey high notes in the vocals, the same jangling guitar, the same major key measure-by-measure descents in the bass, the same tight, simple drumming. Many of the songs even seem to have the same melody. They don't quite, but the narrow range and similar contours make it hard to tell one song from another.

There are a few stand-out tracks though. "I'm in Love with Destruction" is distinct and memorable, its bombastic drumming and stretching ascents in the chorus setting it apart. The opening track, "My Arms Don't Bend that Way, Damn It!" starts with squalls of noise more reminiscent of Dinosaur Jr than the Smiths.

The final way in which this album distinguishes itself from the herd of noisy indie poppers is in its scale. A five-minute instrumental centerpiece of psychedelic guitar and several "interludes" give the album a sense of a larger purpose. And to the band's credit, these forays don't dilute the album. It has twelve proper songs in addition to these. Still, the effort may be wasted. The larger purpose is defeated by the cloneishness of so many tracks.

If you like a good cheerful, cynical, unpolished pop album, this is definitely a decent one. It's no better or worse than many others, but it's enjoyable and mixtape-able and it will hold down the fort until the next record of its type appears.

[myspace]

Album: Japanther - Rock'n'Roll Ice Cream

Album: Rock'n'Roll Ice Cream
Menlo Park, 2010
Rating: ******* (7/10)

Pop-punk/art-punk duo Japanther have long been a bit of an oddity in the Brooklyn music scene - you won't see them with a lot of other NYC punks or underground popsters. Instead, the bands with whom they are most closely associated are stylistically far away, united instead by attitude, and unsurprisingly, attitude more than sound defines Japanther.

That attitude, for better or worse, is clear from track one of Rock'n'Roll Ice Cream. Japanther are (usually) two dudes from Pratt and their music hints at that combination of artistic inclination and obnoxious privilege so commonly associated with their alma mater. They have always had an anti-corporate bent, this time most clearly in the opening track, a catchy pop blast called "Surfin Coffin." Their lyrics on the rest of the album, as in their previous songs, range from the excitement of being young and maybe hanging out with a girl you like a lot to the frustration of being surrounded by a seemingly passionless, anticreative world.

But it's not all good. The band runs into trouble from time to time when, as on "Surfin Coffin," their arrogance dominates their social critique. Rather than uniting, as such mildly political punk should, this divides by pretty clearly indicating that Japanther think they're better than you. And maybe they are, but they shouldn't sing about it. However, on one level, even this can be a bit charming. It reminds me of the arrogant phase most of us went through around age 14 - remember that? When you were so much more enlightened than your parents and teachers and had the world just about all figured out? It's kind of cute that Japanther have, apparently, not yet realized the error of their conceit.

Enough! Let's talk about the music! There's plenty to say... First of all, Japanther grew a bit for this record, adding Anita Sparrows not only for female vocals but also as a full-on band member with writing and recording contributions across the board. Sparrows's presence clearly opened many doors for the band and they made the most of these opportunities, all while staying true to their band's identity. It's certainly one of the most successful add-a-member attempts I've heard in a long time. Sparrows has a wide stylistic range, tackling girl-group meets surf back-up vocals on "None's Listenin" as well as her punky chant on "Surfin Coffin."

If you haven't guessed it yet, the album has a surf thread running through it, but I'm thankful to say it's not overdone. With everybody and their grannie making Beach Boys-influenced indie pop these days, I'm glad to hear someone make it work without compromising. And Japanther, though never the edgiest band on earth, are still defiant and uncomplacent even in their seaside harmonies.

Sonically, the album is subtly unique. Bringing in mainstream, big-name pop producer Michael Blum but keeping their good ol' telephone mics (which sound worse than the computer mic I sometimes use for home recording - and that came free with my parents' PC back in the mid-90's), Japanther sound muddled - but not necessarily in a bad way and certainly in an interesting one. The sound crafted is far larger than ever before, but it's as raw, young and immediate as always.

Not every song on Rock'n'Roll Ice Cream is a winner, but it's got enough syrupy sweet melodies and enough fuzzy, rumbling guitars to be worth a listen. It's not gonna change your life, but it's fun. And we all need some fun from time to time.

[myspace]

Upcoming Shows: Darlings, Big Troubles + more

[Upcoming Shows Playlist]
Wednesday, March 10

Magnetic Fields @ Town Hall * Midtown, Manhattan * $35
The Magnetic Fields were a sad band who played very simple late-90’s style indie pop. Now they are back together for some shows.


Thursday, March 11

Iran @ Knitting Factory * Williamsburg, Brooklyn * $10 / $12
Iran is a great lo-fi band with one of the guys from TV on the Radio. Their songs will go straight to your core, in their simple way, and they’ll stay there. [myspace]

Magnetic Fields @ Town Hall * Midtown, Manhattan * $35
See above.


Friday, March 12

Pygmy Shrews @ Death By Audio * Williamsburg, Brooklyn
I love the Pygmy Shrews. They play HARDCORE – fast, loud, nasty. But it all fits into good songs that are as catchy as they are abrasive. [myspace]

Scout Niblett @ Union Pool * Williamsburg, Brooklyn
Scout Niblett is an English woman who could teach even the most minimal bands a thing or two about minimalism. She supports her dry, pained vocals with a guitar, maybe, or a drum, but her voice alone carries the music. She’s well regarded by just about everyone. [myspace]

Henry Rollins @ The Fillmore * Union Square, Manhattan * $35
Henry Rollins is the poster boy of hardcore. As the definitive vocalist for Black Flag, he pushed American punk into darker, angrier territory than it had ever seen before. Now he does some crazy spoken word stuff and is generally nutso. You don’t want to meet him in a dark alley.


Saturday, March 13

Darlings, Sundelles, My Teenage Stride, Big Troubles, Total Slacker @ Cake Shop * LES, Manhattan * $10
This is a great line-up of bands looking to make a little money for their respective trips to Austin for SXSW. All have a rough, wild edge around a true pop core, though in different ways. Darlings make catchy indie rock but seem to keep changing their minds and veering from one direction to another, starting and stopping and letting their pop tunes slip in and out of their songs with no apparent order. Sundelles play enthusiastic garage rock. My Teenage Stride are an indie pop band whose infectious melodies are just unpolished enough to be lovable. Big Troubles play LOUD motherfuckin noise pop like the Smashing Pumpkins, rocking hard and heavy but never losing track of their warm, poppy side. I haven’t heard Total Slacker, but they’re supposed to be good, I guess. [darlings myspace] [sundelles myspace] [mts myspace] [big troubles myspace] [slacker myspace]

Henry Rollins @ The Fillmore * Union Square, Manhattan * $35
See above.

PC Worship @ Shea Stadium * Greenpoint, Brooklyn
PC Worship is a strange lo-fi project that combines wistful, fuzzy songs with sonic experiments. They are more original than 98% of bands in Brooklyn (at least). [myspace]


Sunday, March 14

Drunkdriver @ Cake Shop * LES, Manhattan * $7
Drunkdriver play the hardest of hardcore. Guitar shreds and roars while a heavily tattooed young man paces the front of the stage like a caged tiger, intensely screaming into his microphone. [myspace]


Tuesday, March 16

Miniboone @ Bruar Falls * Williamsburg, Brooklyn * FREE
I just saw the coolest show, and it was by Miniboone. This one is free, so you should go. They are a band with a huge pop sound but a young, exploratory spirit. Like Phil Spector x the Minutemen. And their live show kicks serious ass. [myspace]


[Upcoming Shows Playlist]
The long view...

March
18
Killswitch Engage @ The Fillmore

19
Killswitch Engage @ The Fillmore
Oneida + Sightings @ Knitting Factory

23
Black Lips @ Brooklyn Bowl

24
Black Lips @ Bowery Ballroom

25
Nada Surf play Let Go + surprise guest @ Bowery Ballroom
Jello Biafra and Guantanamo Schools of Medicine @ Brooklyn Masonic Temple

26
Nada Surf play The Weight Is a Gift + surprise guest @ Bell House
Spoon, Deerhunter @ Radio City Music Hall

27
Nada Surf play Lucky + surprise guest @ Music Hall of Williamsburg

30
Big Pink, A Place to Bury Strangers @ Webster Hall

April
1
Bonnie Prince Billy @ Monster Island Basement

2
The Bronx, Japanther @ Music Hall of Williamsburg
Captured Tracks Showcase: Blank Dogs, Wet Dog + more @ Glasslands
Bonnie Prince Billy @ Monster Island Basement

3
Soft Pack, Nodzzz, Male Bonding @ Music Hall of Williamsburg

6
The Bronx, Japanther @ Bowery Ballroom

8
Black Rebel Motorcycle Club @ Webster Hall

9
Pissed Jeans + Himalaya @ Knitting Factory
Xiu-Xiu, Tune-Yards @ Bowery Ballroom

10
Washed Out, Small Black @ Music Hall of Williamsburg

15
Liars @ Bowery Ballroom

17
Trans Am @ Santos Party House

18
Liars @ Music Hall of Williamsburg
Trans Am @ Market Hotel

20
The Thermals @ Brooklyn Bowl

21
Apples in Stereo @ Bowery Ballroom

22
Quasi, Let's Wrestle @ Bowery Ballroom

25
Shellshag, Noun (Marissa Paternoster of Screaming Females), Black Wine, Pregnant @ Mercury Lounge

May
3
Chapterhouse @ Bell House


[Upcoming Shows Playlist]

Upcoming Shows: Trail of Dead, Glenn Branca + more

[Upcoming Shows Playlist]


Tonight!!! Wednesday, February 24

…and You Will Know Us by the Trail of Dead (original line-up) @ Union Pool | Williamsburg, Brooklyn
I'm not sure if "original line-up" means just the duo who started the band or if it refers to some other incarnation. But whoever it is, it's Trail of Fuckin Dead and they are as amazing as their name is long. [myspace]


Friday, February 26

Sisters, Knight School @ Bruar Falls | Williamsburg, Brooklyn | $5
Sisters are a lo-fi pop/punk duo who are going to take over the world. Their fan base includes many of the best musicians in the city and it's only a matter of time before everyone else finds out and they start playing much bigger venues for a lot more than five bucks. And Knight School are one of the better indie pop bands, with a sort of scuzzy, lo-fi aesthetic and Beatles-esque songwriting. [sisters myspace] [knight myspace]


Saturday, February 27

Glenn Branca (record release) @ Le Poisson Rouge | Greenwich Village, Manhattan | $15 adv./$18 dos.
Glenn Branca, who has long bridged the gap between avant-garde classical and punk rock, is releasing an album and celebrating it at Le Poisson Rogue. He was a key figure in the late 70's No Wave scene and helped set such innovators as Sonic Youth on their paths.

Grooms + Surfer Blood, Beach Fossils @ Market Hotel | Bushwick, Brooklyn
Grooms are a really rad band. They play experimental post-punk with a lot of sonic experimentation and some real heartfelt angst. I don't care for Surfer Blood and Beach Fossils, but they're trendy. [grooms myspace]


Sunday, February 28

Shilpa Ray, Asa Ransom @ Cameo Gallery | Williamsburg, Brooklyn
Shilpa Ray is one badass lady, who plays bluesy rock with a punk rock attitude. She's small and plays a hand-powered harmonium and says the f-word a lot. I haven't heard Asa Ransom in ages, but last I did hear them, they were playing insane-asylum style punk rock, reminiscent of Pere Ubu, with keyboards and a amp-climbing live show. [shilpa myspace] [asa myspace]

Shooting Spires, Pterodactyl, Unstoppable Death Machines @ Union Pool | Williamsburg, Brooklyn
Shooting Spires is a Parts & Labor side project that sounds a lot like Parts & Labor - great, soaring pop melodies and hooks shouted out from a whirlwind of distorted noise. Pterodactyl does something similar, but their instrumentals are not as think and heavy, their melodies a little odder and their tempos faster. Their sound is jumpy and nervy, asymmetrical and wholly original. Meanwhile, Unstoppable Death Machines are the very definition of heavy. The bass and drumkit duo lays down thick riffs while the scream into microphones they strap to their mouths. [spires myspace] [ptero myspace] [udm myspace]


Monday, March 1

Pregnant @ Bruar Falls | Williamsburg, Brooklyn | FREE!!
I don't know anything about this band except that Stupid Party sent me an e-mail when they were drunk telling me this was their favorite band. Which is more than enough recommendation for me. They've got a good name and they are punk rock and they don't give a shit what you think of them. [myspace]


[Upcoming Shows Playlist]
The long view...

March
4
Japanther @ Mercury Lounge

5
Muse, the Silversun Pickups @ Madison Square Garden

6
Titus Andronicus, Parts & Labor, Babies @ Bowery Ballroom

7
Awesome Color, Tyvek, Talk Normal @ Market Hotel
Washed Out, Small Black @ Mercury Lounge (sold out)

8
Dinowalrus @ Cameo
Washed Out, Small Black @ Mercury Lounge (sold out)

9
Aa, Screens @ Death By Audio

101
The Magnetic Fields @ Town Hall

11
The Magnetic Fields @ Town Hall
Iran @ Knitting Factory

12-13
Henry Rollins @ The Fillmore

18
Killswitch Engage @ The Fillmore

19
Killswitch Engage @ The Fillmore
Oneida + Sightings @ Knitting Factory

23
Black Lips @ Brooklyn Bowl

24
Black Lips @ Bowery Ballroom

25
Nada Surf play Let Go + surprise guest @ Bowery Ballroom
Jello Biafra and Guantanamo Schools of Medicine @ Brooklyn Masonic Temple

26
Nada Surf play The Weight Is a Gift + surprise guest @ Bell House
Spoon, Deerhunter @ Radio City Music Hall

27
Nada Surf play Lucky + surprise guest @ Music Hall of Williamsburg

30
Big Pink, A Place to Bury Strangers @ Webster Hall

April
2
The Bronx, Japanther @ Music Hall of Williamsburg
Captured Tracks Showcase: Blank Dogs, Wet Dog + more @ Glasslands

3
Soft Pack, Nodzzz, Male Bonding @ Music Hall of Williamsburg

6
The Bronx, Japanther @ Bowery Ballroom

8
Black Rebel Motorcycle Club @ Webster Hall

10
Washed Out, Small Black @ Music Hall of Williamsburg

15
Liars @ Bowery Ballroom

18
Liars @ Music Hall of Williamsburg

21
Apples in Stereo @ Bowery Ballroom

May
3
Chapterhouse @ Bell House


[Upcoming Shows Playlist]

Live: Stupid Party + Frankie & the Outs, Harlem

When: 2/12
Where: Monster Island Basement

Stupid Party is the shit and I've already made that perfectly clear. But this show at Monster Island was the first one where I really got a sense of the fourth member. Recklessness and a bare-bones sound are what makes Stupid Party so exciting, and the more players a band has, the less reckless they can be and needless to say, the more flesh they put on those musical bones.

I walked in to a extended instrumental section, and I was all like "who is this???" But then Cory Feiernan would start drunkenly* yelling into the microphone and I was all like "oh yeah, Stupid Party!" The instrumental bits were just kind of unspecial. They sounded fine, but when they lasted more than a few bars, the music lost its kick and its focus. When the songs stayed on target, though, they were as good as ever. And they added some slick, old school guitar solos too. Those don't yet sit fully comfortably in the music, but they are mad cool and I think they'll work their way in. Whatever happens, Stupid Party are still the shit and if you don't think so, they don't give a fuck and neither do I. [myspace]

Now Harlem I had mixed up with another band so I was extra disappointed to discover they're a happy-go-lucky cookie-cutter garage rock band. As this blog probably shows, I don't really like music that doesn't take risks. And Harlem is the opposite of risky. They smile and swing their guitars while playing backwards-looking, conservative music. B+ for effort but F for content. [myspace]

I stuck around to see Frankie & the Outs, the new vehicle for Crystal Stilts drummer and one-time Vivian Girl Frankie Rose. This show was the first time I'd seen Rose in guitarist/frontwoman role. She fit it well, as I figured she would. With her uncombed hair and oddball dresses, she's always cut a figure on stage and her personality is unchanged in front of the microphone.

However, unfortunately, her band is not so well suited for the job. She's found all-female group, which is super cool, but not all of the ladies selected are up to the task and frankly, personality-wise, some came off as pretty obnoxious. For one thing, they had a tambourine player. Tambourine was key in giving the music its faint Eastern European flavor, but gosh, get a drummer who can play it. It just looks gimmicky to have a girl up there waving a tambourine around. It looked to me that there were at least five or six members of the band, playing music that would only require four, and to my eyes, that makes the band a bit of a joke.

Sonically, however, they have potential. There were hints of the Crystal Stilt's dark post punk and of the Vivian Girls' lo-fi. However, the meandering melodies coupled with a certain flowing atmosphere set this apart from Rose's other projects. I'm not pissing my pants over this, or anything, but it's got some potential. We'll see. [myspace]

*I have no idea if Feiernan was or is ever drunk, but he sings like someone who's had a few dozen too many.

Upcoming Shows: Mission of Burma, Les Savy Fav + more

Tonight!!! Wednesday, January 27

El Medio @ Bruar Falls | Williamsburg, Brooklyn | $5
El Medio are an awesome lo-fi pop band who hardly ever play live, so go see this. They are sad and restrained and their songs are truly beautiful. [myspace]

Benefit for Haiti: The Walkmen, Ted Leo, Cold War Kids, the Wrens, Here We Go Magic, A.C. Newman, Rhett Miller, Freelance Whales (YUCK), Jimmy Fallon @ Bell House | Gowanus, Brooklyn | SOLD OUT!
This is some line-up! And for a good cause too - no wonder it's sold out. If you can make it, make it. But skip Freelance Whales. I first became aware of Freelance Whales this fall when I was on a subway car with them and eavesdropped long enough to find out their name. Even if the name weren't so stupid, though, I knew the music would be awful just from sitting near them on a train. Imagine my surprise when a few months later, their name started popping up all over the place! And everything we've learned from the blogger buzz deepens my disapproval of their existence. I don't even need to listen to them to know they suck. But anyway, I digress...the rest of this line-up is amazing. You should go.


Tomorrow!!! Thursday, January 28

Mattress, Weird Fantasy Band @ Shea Stadium | Bushwick, Brooklyn | $7
Mattress is a punk band from the New Brunswick scene, which means true, down-to-earth, old-school DIY American hardcore punk. Weird Fantasy Band is kinda the same thing - it seems to be one man backed by a variable collective out of that scene. I haven't enjoyed WFB's music all that much, but "Jasper" says they are amazing live. [mattress myspace] [wfb myspace]


Friday, January 29

Sounds Like Brooklyn: Les Savy Fav + Vivian Girls @ Brooklyn Academy of Music | Fort Greene, Brooklyn | $20-25
Les Savy Fav are one of the hardcore bands fronted a bald, bearded fat dude who strips to his underwear. They aren't the best of such bands, but might come in a respectable second. One of the Vivian Girls just e-mailed me and asked me why I keep taking cheap shots at her band. I take cheap shots because I don't think they are worth the hype and I find them boring. And boring music to me is like waterboarding to most people. But they have improved significantly over the last year and I'm warming up to them ever so slowly. So, I dunno what to say. They mostly still suck, but at least they are better than the Freelance fuckin Whales. [lsf myspace] [vg myspace]

Oneida @ Market Hotel | Bushwick, Brooklyn | $10
I like Oneida's older stuff better and they've changed a lot over the years, but they basically play pretty heavy music that jerks like metal, smiles like punk, bristles like industrial and most of all, breaks your head like krautrock, looping and trancing the hell out. So yeah, it's interesting. [myspace]

Mission of Burma @ Bowery Ballroom | LES, Manhattan | $20
Mission of Fucking Burma, folks. They were one of the first of the second generation of American punk bands, but their music was a bit slower and a lot more complex than the rest of the hardcore crowd - they brought musical sophistication back to punk. And they are still awesome. Go see them Saturday, though, because there are too many other shows going on Friday.

PC Worship @ Glasslands | Williamsburg, Brooklyn | $7
PC Worship is amazing lo-fi avant-rock with noise experiments and sadness. But there's too much else going on for me to recommend this show, especially since the rest of the line-up sucks. They are a Brooklyn band, so you'll get another chance. [myspace]

Drunkdriver @ Union Pool | Williamsburg, Brooklyn
One of NYC's most hateful hardcore bands, Drunkdriver put on an unforgettable live show. They seem like really nice people, but would definitely freak your parents out. [myspace]


Saturday, January 30

Mission of Burma @ Bowery Ballroom | LES, Manhattan | $20
See above.

Sisters, Fluffy Lumbers, Total Slacker @ Shea Stadium | Bushwick, Brooklyn | $7
Sisters are the BOMB. Among noise-punk/noise-pop duos, they are easily one of the best. See them now before they go the way of No Age and Japandroids and start playing fewer and bigger spaces. Fluffy Lumbers and Total Slacker are all the rage. I haven't listened yet, but they are probably worth at least checking out. [sisters myspace] [fl myspace] [ts myspace]

PC Worship @ Market Hotel | Bushwick, Brooklyn
See above.

Dinowalrus + Javelin @ House of Yes! | Bushwick, Brooklyn | $10
I've never heard of this place before, but my guys Dinowalrus are playing there Saturday, so if for some reason you skip the above shows, consider this one. Dinowalrus play art. Like Sonic Youth, but only in spirit. Javelin plays throw-away post-disco dance-pop, but I gotta admit, their whole amplification by radio broadcast (BYOB, bring your own boombox) is pretty cool. [dinowalrus myspace] [javelin myspace]


And then there are like no shows worth mentioning for several days...weird...

News: Jay Reatard Died Last Night

Jimmy Lee Lindsey Jr., better known as Jay Reatard, died in his sleep last night, at age 29. He was a brilliant songwriter and put on one hell of a live show. Above all, he was an inspiring figure both musically and personally to many in our scene. Our thoughts are with his family and friends.


Official statement by Matador Records...

Albums to Watch for in 2010

*** DISCLAIMER: As with last year's list, these are albums I would like to see in 2010. Some have not been announced, and some probably don't and won't exist. I'm not trying to start rumors, I'm just an optimist!!***

Dinowalrus - This one is real and it's coming out soon. Like, in a week. I haven't listened yet, but I'm pretty sure it's going to kick ass. The band's experimental psychedelic drone probably isn't for everyone, but if you're into that stuff (and you should be!), this is as good as it gets. [myspace]

Dum Dum Girls - The debut is out in March. Dum Dum Girls are what's right about this whole lo-fi pop revival. [myspace]

My Bloody Valentine - A girl can hope, right? Right?

Ringo Deathstarr - I was hoping for this one last year, but this year it's actually looking promising. The loudest, densest, prettiest shoegaze in ages. [myspace]

Seawhores - Heavy and confrontational, yet melodic, Seawhores have earned their cult following. I don't know if they are planning an album, but since they signed to Death By Audio Records, they must intend to release something at some point. [myspace]

Shellshag - This one is real too, it comes out in February and it's going to rock. The band's two members like to get fucked up and fuck up and fuck you up. What else could you want? [myspace]

Titus Andronicus - Titus Andronicus play hardcore punk that's at once traditional and original, pushing boundaries with their ambitious compositions, shoegaze-influenced guitars and thoughtful lyrics. [myspace]

And keep an eye out for these too...

Black Rebel Motorcycle Club (March)

Fiasco (we'll see...)

Interference (February)

Liars (March)

Los Campesinos! (January)

Quasi (February)

Radio Dept. (February)

Sisters (we'll see...)

So So Glos (we'll see...)

Spoon (January)

Who to Watch in 2010: Part 3

PREVIOUS >>
Part 1 (reruns)
Part 2

Knight School - Indie pop has certainly experienced a bit of a revival lately and I have a hunch Knight School will be one of the next swept up the craze. They aren't anything new, but slightly harder-edged and rawer than the Pains of Being Pure at Heart and their ilk, they have a niche. Their songwriting is consistently superb, with Bealtes-esque melody. And they've got all the right friends. Stay tuned. [MySpace]

Male Bonding - This one may be a bit of an easy pick, but so far, the U.S. press hasn't really picked up on these new signees to SubPop. My first thought about this band (aside from the fact that they share a name with an early incarnation of Sonic Youth) was, what do we need with another DIY punk band? But it quickly became apparent to me, especially seeing the band live at CMJ, that they have something special. Their music is simply explosive - let's hope people on this side of the Atlantic take notice soon! [MySpace]

PC Worship - I was originally under the impression this band was quite a bit more avant-garde than they really are. They do build a space in their music for a lot of sonic experimentation, but their murky, echoey noise carries twice-removed psychedelic melodies and lo-fi charm. [MySpace]

Screens - Screens dub their reverby drones with spooky, emotive vocals and organic sounding electronic grooves. The band may be a little too strange to make it really big, but hey, you never know. And whether or not they garner attention, I am willing to bet they will do something bold and exciting in 2010. [MySpace]

Sleigh Bells - This is another somewhat obvious pick. I mean, even my mom has heard of them! But they were little known until this October, when they became the surprise stars of CMJ. They are an electrodance duo, but with serious no wave, punk and noise influences. From searing distorted guitars and searing distorted vocals to ten thousand pound downbeats, this band will make a real impact. And not just an impact on your eardums, but that too! [MySpace]

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