Upcoming Shows: Marnie Stern, Pissed Jeans + more

Sorry I’ve been away for a bit. I will get back on blogging schedule next week.

[Upcoming Shows Playlist]
TONIGHT! Friday, June 18

Marnie Stern + Anni Rossi, True Womanhood @ Glasslands * Williamsburg, Brooklyn * $12/$15
Marnie Fucking Stern, ladies and gentlemen, one of the greatest guitar heroes of our generation. At Glasslands, which is small and often has very good acoustics. This show cannot be beat. Marnie Stern isn’t quite metal and isn’t quite punk and isn’t quite anything else except awesome. Plus Anni Rossi, who’s pretty okay at violin and songs and True Womanhood, who sound like Radiohead - in a good way. GO TO THIS SHOW. [marnie myspace] [rossi myspace] [true myspace]


Saturday, June 19

Pissed Jeans, Pop. 1280 @ Death By Audio * Williamsburg, Brooklyn * $12
This will be one of the hardcore/post-hardcore/noise rock shows of the year. You might be seriously injured but it will be worth it. These bands play lurching, desperate anthems straight from the gut. They channel the collective underbelly of our world and let it out via amplifiers and hella distortion. [piss myspace] [pop myspace]


Sunday, June 20

Dinowalrus @ Cameo Gallery * Williamsburg, Brooklyn
Last time I talked to Dinowalrus, they pointed out that I should stop calling them "mathy" because they aren’t, and for once, a band was right about their own music (seriously) so let me just say they are not mathy, but are very rhythm driven, experimental music that’s clearly psychedelic and sometimes danceable. It’s not so experimental as to forgo a strong pop appeal as well. [myspace]

Knight School, Boy Genius @ Bruar Falls * Williamsburg, Brooklyn * $7
Knight School play fuzzy indie pop with the best tunez around. Boy Genius play less fuzzy indie pop and also have more than few good songs. [knight myspace] [boy myspace]


Monday, June 21

Miniboone, Gunfight!, Quiet Loudly, Pet Ghost Project @ Spike Hill * Williamsburg, Brooklyn
OK, this line up RULES. Miniboone are make big, dramatic pop with manic punk energy. Quiet Loudly are a bit more chill, with a sort of angular take on 60’s psychedelic music. Gunfight! make fun cow punk you can’t not enjoy and Pet Ghost Project do a bunch of stuff that swings between lo-fi pop and post-hardcore noise rock. I wouldn’t normally recommend Spike Hill, but this line up is SICK. [mini myspace] [ql myspace] [gun myspace] [pgp myspace]


Wednesday, June 23

Tortoise @ Le Poisson Rouge * Greenwich Village, Manhattan * $22
Electro kings of experimental music back in the 90’s, Tortoise were an influence on just about every worthwhile post rock band in the last decade or so. Their music draws on ambient, jazz, krautrock and post punk and sounds like no one else. [ myspace]

[Upcoming Shows Playlist]
The long view...

June
24
Wavves @ Knitting Factory

25
Fiery Furnaces @ Brooklyn Bowl
Silversun Pickups, Against Me! @ Williamsburg Waterfront

26
Fiery Furnaces @ Mercury Lounge
Titus Andronicus @ Newtown Barge Park
Liars, Fucked Up, High Places @ Newtown Barge Park

27
Les Savy Fav, Polvo @ Newtown Barge Park

July
6
B-52s @ Highline Ballroom

11
The Roots, Talib Kweli @ Prospect Park

13
Cheap Trick @ Radio City Music Hall

16
Weezer @ Williamsburg Waterfront

17
Siren Fest: The Pains of Being Pure at Heart, Matt & Kim, Ted Leo, Surfer Blood @ Coney Island

22
Antlers, Dinosaur Feathers @ Pier 54

23
Modest Mouse @ Williamsburg Waterfront

24
M.I.A., Sleigh Bells @ Governors Island

26
Flaming Lips @ Central Park

27
Black Keys @ Central Park
The National, Beach House @ Prospect Park

28
Black Keys @ Central Park

30
Big Takeover: Springhouse @ Bell House

31
Sonic Youth, Grass Widow, Talk Normal @ Prospect Park
Big Takeover: Springhouse, For Against @ Bell House

August
12
Gang Gang Dance, Grizzly Bear, Walkmen @ Governors Island

15
Public Enemy @ Central Park

17
MGMT @ Radio City Music Hall

18
MGMT @ Radio City Music Hall

[Upcoming Shows Playlist]

Upcoming Shows: Buzzcocks, Public Image Ltd + more

[Upcoming Shows Playlist]
TONIGHT!!! Thursday, May 13

The Buzzcocks @ The Fillmore * Union Square, Manhattan * $35
Um, hello? It's the Buzzcocks. One of the top four original UK punk bands. Then again, it's $35.

Big Troubles, My Teenage Stride, Knight School @ Death By Audio * Williamsburg, Brooklyn * $7
These three bands have two things in common - they write great, catchy pop songs and they are noisy. MTS are the most conventional "twee" influenced group of the three. They play tightly but their songs are charmingly dorky. Knight School write amazing little pop tunes and soak them in some distortion and fuzz. Big Trouble are a little more rock'n'roll, with a heftier sound - actually, a sheer roar. Three bands for the price of one. And a great venue to top it off! [bt myspace] [mts myspace] [kf myspace]

Panda Riot @ Lit Lounge * East Village, Manhattan * $6
I don't normally advertise shows at Lit Lounge because the acoustics are horrible and the space is small and poorly managed. But Panda Riot are a really great shoegaze band that come all the way from Chicago and this is our big chance to see what they can do live. [myspace]


Tomorrow! Friday, May 14

Silver Apples, Oneida @ Abrons Art Center * LES, Manhattan * $15/$20
Silver Apples were a super obscure wacked out band in the 60's who really pioneered the use of synthesizers and were a precursor to every synth duo ever. They don't normally exist anymore, so this is a rare thing. Oneida play trance-inducing rhythmic music that doesn't really excite me that much but a lot of people think it's good. [sa myspace] [oneida myspace]

Talk Normal, Asa Ransom, Miniboone @ Glasslands * Williamsburg, Brooklyn * $8
Seriously, you would be hard put to find three more different bands in New York. But they do have one thing in common - they are all great. And since Deli Magazine is highlighting the best bands in NYC, they picked well. Miniboone play large-scale, old-school pop with punk rock energy. Asa Ransom make dark, rhythmic dance punk. Talk Normal are pretty avant garde, with drones and pounding and rants. They are both ladies. (The other bands are all fellows.) [tn myspace] [ar myspace] [mini myspace]


Saturday, May 15

Parts & Labor, Talk Normal @ Knitting Factory * Williamsburg, Brooklyn * $10
Parts & Labor are super loud. They make slamming, skull shattering noise with guitars and electronics and distortion. But winding through this soundscape are stunningly beautiful melodies any pop fan would love. Talk Normal, I already explained about (see above). [pl myspace]

The Vandelles, El Jezel @ Cameo * Williamsburg, Brooklyn * $10
The Vandelles play feedback but every second of feedback is tied into high-energy classic pop-rock gems. I haven't heard El Jezel in forever, but if I recall their influences are shoegaze and a little post-rock and lots of regular old cool, melodic indie rock. I could be wrong, though, it's been a while. [vandelles myspace] [ej myspace]

Aa, True Womanhood, These Are Powers @ Secret Project Robot * Williamsburg, Brooklyn * $10
Aa are an NYC mainstay of highly percussive, throbbing-beat music you have to dance (or head-bob) to. True Womanhood, well, they sound like Radiohead. Rhythmically off-kilter songs with spooky guitar. These Are Powers have the same throbbing-beat thing but are not nearly as good. I think they were aiming to fill a certain niche, but someone much better beat them to it. Still, should be a fun night, especially if you like to move. [aa myspace] [tw myspace] [tap myspace]

Mahogany @ Open Road Rooftop (Rooftop Films) * LES, Manhattan * $10
Mahogany, masters of noise pop and decade-long veterans of indie music, will be playing on a roof on the Lower East Side before a movie is screened on that same roof. Nice! [myspace]


Sunday, May 16
Silver Apples @ Coco 66 * Greenpoint, Brooklyn
A show that I'm guessing will be cheaper than Friday's and a little less weird (the other features a light show), I suppose I'd recommend catching Silver Apples (see above) here instead.


Tuesday, May 17

Public Image Ltd @ Terminal 5 * Midtown, Manhattan * $40
Don't go to this show to hear seminal post punk band Public Image Ltd - it's Terminal 5 and I promise you won't be able to hear anything. Go to this show to be in the same room as John Lydon a.k.a. Johnny Rotten. I need to touch him. [myspace]

[Upcoming Shows Playlist]
The long view...

May
19
Public Image Ltd @ Terminal 5 Music Hall of Williamsburg
Diana Ross @ Radio City Music Hall

21
Fuck Buttons @ Music Hall of Williamsburg

22
Fuck Buttons @ Le Poisson Rouge
New York Dolls @ Warsaw
NYC PopFest: Wake, Boat, My Teenage Stride + more @ Bell House

27
Forgetters @ Bell House

28
Holy Fuck @ Le Poisson Rouge

29
Psych Fest: Weird Owl (yay), Hopewell (blech), Golden Triangle (blech), Psychic Ills (yay), Sunburned Hand of the Man (yay) + more @ Glasslands

June
4
Psychedelic Furs @ the Fillmore

6
Brian Jonestown Massacre @ Webster Hall

18
Melvins + Isis @ Webster Hall
Woven Bones @ Mercury Lounge

24
Wavves @ Knitting Factory

July
24
M.I.A. @ Governors Island

30
Big Takeover: Springhouse @ Bell House

31
Big Takeover: Springhouse, For Against @ Bell House

[Upcoming Shows Playlist]

News: L Magainze Likes Mediocre Pop Bands

That L Magazine picked their "8 Bands You Need to Hear" for the year is kind of old news. But I just bothered to sit down and read it and then felt inspired to make some observations.

First of all, there are a handful of good picks. Miniboone, Asa Ransom and among runners up Led Er Est and Pet Ghost Project are all bands I told you to check out a long time ago, and L Magazine has finally realized that I am right.

But here's really what I want to get at. Combined, the eight bands selected by L Magazine have forty members. Of those forty, five are women, leaving a whooping 87% of slots for menfolk. And of those five women, one plays piano and sings, while the other four only sing. Proportions by race are similar to those by gender as well. I don't think this is entirely L Mag's fault, I think it's a sad reflection of what is actually happening in Brooklyn. In conjunction with indie music moving towards an ultraconservative folk/pop/baroque movement of non-confrontation and complacency, it seems to me that fewer women are playing indie/rock/pop than were a decade ago. Even if it's not worse than it was, it's certainly not better nor acceptable. Affluent white men are running the show like they always have. But indie used to be punk and that used to be about dissidence, progress and empowerment.

Am I the only person who's seeing this??

[l mag article]

Live: Miniboone, Quiet Loudly, the Vandelles

When: 2/26/10
Where: Cake Shop

I wasn't planning to write a review of this show, but it turned out to be worth a few words...

Quiet Loudly was already playing when I arrived. It's been ages since I've heard them and man have they changed! Before, their music was made of angular, teethy guitar and bass lines that would lock together in some sort of bizarre skeleton. Now there are melodies, structures and grooves - the band has hammered their jagged soundscape into a dense, restrained blues rock. Still, from time to time, a sharp guitar will slice through and the band suddenly transforms into their dissonant, broken former selves. But the groove always returns and what before were empty spaces are now filled with a wall of misty guitar and keyboard sound.

Hints of blues always existed somewhere at the very base of Quiet Loudly's sound but only now can they manage the unhurried, sighing phrases that make the genre what it is. Not that they are a blues band - their psychedelic leanings and the shadows of pop that cross their songs are pure indie rock. They've managed to strike the perfect balance of the two genres without resorting to a cliched drunken swagger or country drawl.

Unfortunately, in other aspects their music is not yet balanced. While they still make room for their sonic romps, without their jerky guitar lines, the band risks fading into a background. Moreover, the spaces they do make seem to go on a little too long and accomplish a little too little for their span. The band's long periods of jamming were more enjoyable than many, mostly because a song-oriented sensibility still governs the grounding but nimble bass and kicked-up drums. Still, self-indulgence is always a risk and seldom one worth taking in the world of music. Let's none of us turn into a jam band, okay?

Overall, though, Quiet Loudly are making vast strides, incorporating some (if not quite enough) of their innovation along into far more focused, well thought-out pieces. They're creative and they're on the right track. That's more than you can say for most bands. [myspace]

The Vandelles played next and they fucking ruled, like they always do. There was a bit too much downtime, but when they were playing, all four members owned the stage, sending a wave of feedback hurdling through the room. They seemed a little cramped up there - this is a big-stage sort of band - but they still threw themselves mentally and physically, 100%, into the songs. Their 50's and 60's throwback melodies buried under layer after layer of searing distortion, their drummer pounding primal beats like the devil's personal handpuppet, their deep bass and low guitars rumbling without pause, the Vandelles are a force to be reckoned with, that much is sure. [myspace]

And lastly, Miniboone, a band I've followed a least vaguely since their very first show. Like Quietly Loudly, these guys have transformed. Once they played a freaked-out, intellectual punk a la the Minutemen, with screams and spasms. Next I saw them, they were playing pop, and not just any pop but big pop, the kind with larger-than-life melodies and harmonies, following the finest pop traditions of the 1960's - girl groups, orchestrated am pop and all the rest.

But now, they've finally found themselves as a band. Their manic, brainy Minutemen-like bursts have found a way to fit naturally into their bigger pop instincts. It's awkward, in a way, but in a way that suits them, in a way that's fun and exciting. With jerky stop-and-start pieces coming together into guitar-swinging pop and with vocal melodies that are equal parts sixties radio fodder and eighties punk, Miniboone have found their niche, and they're definitely the only band in it.

But what made this show so extraordinary isn't that the members are gifted songwriters or that their music is unique. What made this show extraordinary was that everything broke. The mics stopped working, the amps were crapping out, nothing was going right, and all this only two songs in. The band was on the verge of giving up, but with some encouragement from their friends in the crowd, they hatched a plan. If the microphones weren't going to work, they would just need to find another way to amplify the vocals.

So they started a sing-a-long. Guitarist Doug Schrashun picked up a floor tom headed for the center of the audience while the band launched into some covers. The audience joined in with the singing(/shouting), also taking turns pounding the tom and playing what percussion they could grab. When the covers ran out and microphones were still out of commission, the band rounded out the set with a couple more originals. Luckily the audience knew most of these too and helped kick the singing up to audible levels.

It was a great show because it was unplanned, because it was a disaster. A good band can do some damage control, but only a truly great one can pull off a feat like this - making the crumbiest night imaginable into an unforgettable experience for all. Even a cold bastard like me left with the warm fuzzies. Miniboone are not just a good band, they are a great one and it's concerts like this that keep me coming out to hear new bands. Sometimes it seems like there are so many bands and so few new ideas that it's not possibly worth it to keep searching. But then I find what I'm looking for - something exciting and new and real. Miniboone may not play my favorite style, but they've got something special, something 99% of Brooklyn bands don't even know they're missing. And that's worth a lot. [myspace]

Upcoming Shows: Darlings, Big Troubles + more

[Upcoming Shows Playlist]
Wednesday, March 10

Magnetic Fields @ Town Hall * Midtown, Manhattan * $35
The Magnetic Fields were a sad band who played very simple late-90’s style indie pop. Now they are back together for some shows.


Thursday, March 11

Iran @ Knitting Factory * Williamsburg, Brooklyn * $10 / $12
Iran is a great lo-fi band with one of the guys from TV on the Radio. Their songs will go straight to your core, in their simple way, and they’ll stay there. [myspace]

Magnetic Fields @ Town Hall * Midtown, Manhattan * $35
See above.


Friday, March 12

Pygmy Shrews @ Death By Audio * Williamsburg, Brooklyn
I love the Pygmy Shrews. They play HARDCORE – fast, loud, nasty. But it all fits into good songs that are as catchy as they are abrasive. [myspace]

Scout Niblett @ Union Pool * Williamsburg, Brooklyn
Scout Niblett is an English woman who could teach even the most minimal bands a thing or two about minimalism. She supports her dry, pained vocals with a guitar, maybe, or a drum, but her voice alone carries the music. She’s well regarded by just about everyone. [myspace]

Henry Rollins @ The Fillmore * Union Square, Manhattan * $35
Henry Rollins is the poster boy of hardcore. As the definitive vocalist for Black Flag, he pushed American punk into darker, angrier territory than it had ever seen before. Now he does some crazy spoken word stuff and is generally nutso. You don’t want to meet him in a dark alley.


Saturday, March 13

Darlings, Sundelles, My Teenage Stride, Big Troubles, Total Slacker @ Cake Shop * LES, Manhattan * $10
This is a great line-up of bands looking to make a little money for their respective trips to Austin for SXSW. All have a rough, wild edge around a true pop core, though in different ways. Darlings make catchy indie rock but seem to keep changing their minds and veering from one direction to another, starting and stopping and letting their pop tunes slip in and out of their songs with no apparent order. Sundelles play enthusiastic garage rock. My Teenage Stride are an indie pop band whose infectious melodies are just unpolished enough to be lovable. Big Troubles play LOUD motherfuckin noise pop like the Smashing Pumpkins, rocking hard and heavy but never losing track of their warm, poppy side. I haven’t heard Total Slacker, but they’re supposed to be good, I guess. [darlings myspace] [sundelles myspace] [mts myspace] [big troubles myspace] [slacker myspace]

Henry Rollins @ The Fillmore * Union Square, Manhattan * $35
See above.

PC Worship @ Shea Stadium * Greenpoint, Brooklyn
PC Worship is a strange lo-fi project that combines wistful, fuzzy songs with sonic experiments. They are more original than 98% of bands in Brooklyn (at least). [myspace]


Sunday, March 14

Drunkdriver @ Cake Shop * LES, Manhattan * $7
Drunkdriver play the hardest of hardcore. Guitar shreds and roars while a heavily tattooed young man paces the front of the stage like a caged tiger, intensely screaming into his microphone. [myspace]


Tuesday, March 16

Miniboone @ Bruar Falls * Williamsburg, Brooklyn * FREE
I just saw the coolest show, and it was by Miniboone. This one is free, so you should go. They are a band with a huge pop sound but a young, exploratory spirit. Like Phil Spector x the Minutemen. And their live show kicks serious ass. [myspace]


[Upcoming Shows Playlist]
The long view...

March
18
Killswitch Engage @ The Fillmore

19
Killswitch Engage @ The Fillmore
Oneida + Sightings @ Knitting Factory

23
Black Lips @ Brooklyn Bowl

24
Black Lips @ Bowery Ballroom

25
Nada Surf play Let Go + surprise guest @ Bowery Ballroom
Jello Biafra and Guantanamo Schools of Medicine @ Brooklyn Masonic Temple

26
Nada Surf play The Weight Is a Gift + surprise guest @ Bell House
Spoon, Deerhunter @ Radio City Music Hall

27
Nada Surf play Lucky + surprise guest @ Music Hall of Williamsburg

30
Big Pink, A Place to Bury Strangers @ Webster Hall

April
1
Bonnie Prince Billy @ Monster Island Basement

2
The Bronx, Japanther @ Music Hall of Williamsburg
Captured Tracks Showcase: Blank Dogs, Wet Dog + more @ Glasslands
Bonnie Prince Billy @ Monster Island Basement

3
Soft Pack, Nodzzz, Male Bonding @ Music Hall of Williamsburg

6
The Bronx, Japanther @ Bowery Ballroom

8
Black Rebel Motorcycle Club @ Webster Hall

9
Pissed Jeans + Himalaya @ Knitting Factory
Xiu-Xiu, Tune-Yards @ Bowery Ballroom

10
Washed Out, Small Black @ Music Hall of Williamsburg

15
Liars @ Bowery Ballroom

17
Trans Am @ Santos Party House

18
Liars @ Music Hall of Williamsburg
Trans Am @ Market Hotel

20
The Thermals @ Brooklyn Bowl

21
Apples in Stereo @ Bowery Ballroom

22
Quasi, Let's Wrestle @ Bowery Ballroom

25
Shellshag, Noun (Marissa Paternoster of Screaming Females), Black Wine, Pregnant @ Mercury Lounge

May
3
Chapterhouse @ Bell House


[Upcoming Shows Playlist]

Live: Miniboone

Sorry for the unexpected disappearance. Never fear, RFR is back! Here goes...

Where: The Annex
When: 4/20

Like many young bands, Miniboone - whom I first reviewed back in November - is still finding their identity, and since that review in November, the band has completely reinvented their sound, inverting completely the ratio of experimental punk to pop. While in November, the band was one big noise, with guttural screams outnumbering pop hooks, the band now has extensive melodies and rhythmic grooves.

Despite reinventing themselves as a pop band, however, Miniboone remains (for better or worse) at the edge. "For worse" because the compositions are rather unwieldy and epic. The structural complexity is actually well-used and the songs are relatively cohesive for their length. But it goes a little too far on too many songs for my taste, making the set too weighty to be as fun as the melodies imply.

"For better," though, because the band is interesting and doesn't sound quite like anyone else. Part of the new melodiousness comes from the increasing proportion of lead vocal duties assigned to Craig Barnes. He is more of a singer, less of a shouter, than some of his bandmates. His voice also gives the music some of its unique character, tending towards a drama not found in most post-80's pop.

Though I was disappointed by the relative calm of the band's new sound, there are still hints of the band's old punk side too. It's a bit unkempt for grooving pop and it's certainly noisy. There are also the delightfully ridiculous lyrics, belted out with surprising conviction, and the bodily frenzy of the band's delivery. Though they've softened up their approach, there's a current of unabashed creativity that will keep Miniboone noteworthy no matter in what genre they eventually land.

MySpace

Live: Miniboone

When: 11/21
Where: The Charleston

So this past Friday night, I happened to catch the first show of a new band called Miniboone. Miniboone are an college-nerd-looking quartet, who play intellectual, aggressive, experimental pop. The best way I could describe the band is to say that it's like if the Minutemen and June of 44 formed a hybrid and then drank several gallons of espresso - but that probably doesn't mean anything to you because you probably have no idea who June of 44 were, and that's criminal - but it's not a crime we have time to prosecute in this particular post.

So I'll just say Miniboone play fractured, dissonant, noisy music that's guaranteed to repel most casual listeners. But this isn't a band vying for radio play, it's a band seeking to stretch the boundaries of what pop music can be. And in that endeavour, they succeed. The rhythmic complexity reminded me of early 1990's Louisville math rock (Slint, Rodan, Gastr del Sol), with always-changing time signatures and uneven, asymmetrical phrases. But compared to these meandering experimental bands, Miniboone plays fast-burning, pointed songs you'll have to concentrate to keep up with. Luckily, their animated, jumpy performance makes paying attention easy.

My only complaint about the band is that they are little over-intellectual (even their name is an obscure science reference) and I couldn't really connect with them on an emotional level. Even in fun and humorous experimental music, the ultimate purpose should be beauty and self-expression. This came through in some of Miniboone's songs, but others seemed to get too caught up in their own cerebral underpinnings to really reach a deeper level.

But I'd say, keep an eye on this band - it's a rare group that's this creative and original from their very first show.