Album: Dum Dum Girls - I Will Be

Album: I Will Be
SubPop, 2010
Rating: ******** (8/10)

All I want to do today is talk about how good this album is! Dum Dum Girls is mostly one Dum Dum Girl who goes by "Dee Dee" (real name Kristin Gundred) and has backing from Frankie Rose (Crystal Stilts, ex-Vivian Girls) and a couple of other badass ladies. And this, their debut, has the rare privilege of seeing release on SubPop, the West Coast's most prestigious (pseudo-)indie label.

Sonically, the band falls in with the cavernous reverb and jangly lo-fi popularized by Thee Oh Sees, Rose's Crystal Stilts and Vivian Girls, Gundred's husband's Crocodiles, Blank Dogs' Mike Sniper (who has a side-project with Gundred called the Mayfair Sect) and others. The vocals are dusted with fuzz, but never enough to obscure the fact that Gundred is a singularly gifted singer and songwriter.

The band's name, Frankie Rose connection, fuzz-pop asthetic and all-female membership has led to a whole lot of Vivial Girls comparisons and it's not an unfair reference to make. However, Dum Dum Girls have much more in common with the other bands listed above than with their fellow girl group. And unlike any of the others, Dum Dum girls set a clear focus on vocals. While most bands in this genre have vocals mediocre in pitch, melody and tone, Gundred can sing. She's no Aretha Franklin or anything, but she can definitely carry a damn tune.

Of course, almost inextricably linked to good singing are good melodies. And in terms of melody, Dum Dum girls blow all their ilk completely out of the water. Their tunes smoothly combine decades of pop influences into a single, cohesive style - 60's girl groups and even earlier radio pop, 70's early punk and 80's post punk - pretty much everything cool and catchy that's hit the radio over the last century is here distilled. It's hard to say what makes a melody great - a wider palate than simply major keys, a rolling, foot-tappable syncopation and just enough repetition to stick in your head - but not enough to drive you crazy. Whatever the exact formula, Dum Dum Girls are like few others on the indie scene today - never cliche, relentlessly catchy.

And in all of this, the album somehow avoids complacency. Producer Richard Gottehrer has a resume that includes the likes of Blondie and the Voidoids - he's got the perfect sense of big-pop-meets-intelligent-edginess and the dark sheen with which he covered the album makes every song interesting and effecting.

I Will Be starts out with a bombshell trio of songs, the driving, building "It Only Takes One Night," a slick druggy ditty called "Bhang Bhang, I'm a Burnout" and the fuzzed-out, quick-footed "Oh Mein Me," sung in a surprisingly adorable German. "Jail La La" continues the streak, with effects-scrambled call-and-response vocals and a simple, sweeping chorus. Ballads(ish) like "Rest of Our Lives" and "Blank Girl," as well as the closer, "Baby Don't Go," take things down a notch without getting mired in their own restraint.

I Will Be is just a pop album. But it's a great pop album. Get it on vinyl and put it on when you're cleaning, when your friends are over or when you feel like doing a little dance by yourself in front of the mirror or singing badly in German. That's what it's for.

Upcoming Shows: Fucked Up, Screaming Females, Trail of Dead + more

[Upcoming Shows Playlist]

Tomorrow!!! Friday, February 19

Fucked Up + Kurt Vile, Frankie & the Outs @ Europa | Greenpoint, Brooklyn | $13
Fucked Up have redefined what hardcore punk can be. And they are one of the most powerful live acts you can see. [(unofficial) myspace]

Andrew WK @ Santos Party House | Chinatown, Manhattan
Andrew WK y’all. Rock’n’roll pianist.

Secret Machines + Bear in Heaven @ Glasslands | Williamsburg, Brooklyn | $12 / $15
Secret Machines once had a bit of a hit. Alt rock with just a touch of shoegaze, nothing to write home about. But if you like them, you should see them at Glasslands because it’s the coziest venue you’ll see them at.


Saturday, February 20

Pygmy Shrews @ Bruar Falls | Williamsburg, Brooklyn | FREE!
These guys are fucking awesome. They are hardcore mo’fos with song titles like "your party sucks." Their cutting distortion and feedback this like a bulldozer. And this show is free. [myspace]

Coyote Eyes, El Jezel @ Union Hall | Park Slope, Brooklyn | $8
Coyote Eyes is one of the most promising bands in Brooklyn, and they’re coming into their own more and more. Their dark web of sound is laced with captivating, catchy melodies. I haven’t heard El Jezel in a long time but they’re pretty okay themselves. [coyote myspace] [el jezel myspace]

Crystal Stilts + Beets, Beach Fossils, German Measles @ Music Hall of Williamsburg | Williamsburg, Brooklyn | $13 adv. / $15 dos
Another big line-up of bands that think they are super cool. Unfortunately for all of us, the Crystal Stilts make some of the best music around. They have a pretty uninspiring live show, though. I’d skip this, but thought I’d let you know just in case. [myspace]


Sunday, February 21

Dum Dum Girls + Frankie Rose & the Outs @ Mercury Lounge | LES, Manhattan | $10
Dum Dum Girls are mostly one girl who is not dum at all. Her name is Dee Dee and she writes great songs and sings them well. She’s a little lo-fi, a little indie pop and maybe a little smidge punk. [myspace]

PRSMS, Unstoppable Death Machines @ Death By Audio | Williamsburg, Brooklyn
Both these bands play aggressive experimental punk. PRSMS are great. UDM are not quite there yet, but they are certainly enjoyable. [prsms myspace] [uds myspace]


Tuesday, February 23

Screaming Females, Jeff the Brotherhood, Stupid Party @ Death By Audio | Williamsburg, Brooklyn
Umm. This is only going to be like the greatest show ever. No big deal. Seriously, Screaming Females are the best rock band on earth right now. Jeff the Brotherhood are not very far behind and Stupid Party, more than any other band right now, represent what is good and right in punk. See, you probably think I am exaggerating, but I’m not. Three of the best bands ON THE FRIGGIN’ PLANET at the best venue I know. [screaming myspace] [jeff myspace] [stupid myspace]

Her Vanished Grace @ Bell House | Gowanus, Brooklyn | FREE!
The only reason you should miss the above show is if you’re dead. But if you’re dead, you might try this one, because it’s free. Her Vanished Grace is a great noise pop band who know how to take control of a stage. Great melodies, great songs, great noise, they’ve got it. [myspace]


Wednesday, February 24

…and You Will Know Us by the Trail of Dead (original line-up) @ Union Pool | Williamsburg, Brooklyn
I am trying to figure out if I am hallucinating this listing. You had better double check. [myspace]


[Upcoming Shows Playlist]
The long view...

February
26
Wild Beasts @ Bowery Ballroom (Sold Out!)

27
Glenn Branca (record release) @ Le Poisson Rouge

28
Wild Beasts @ Music Hall of Williamsburg
Shilpa Ray, Asa Ransom @ Cameo
Shoot Spires (mems. Parts & Labor), Pterodactyl, Unstoppable Death Machines @ Union Pool

March
4
Japanther @ Mercury Lounge

5
Muse, the Silversun Pickups @ Madison Square Garden

6
Titus Andronicus, Parts & Labor, Babies @ Bowery Ballroom

7
Awesome Color, Tyvek, Talk Normal @ Market Hotel
Washed Out, Small Black @ Mercury Lounge (sold out)

8
Dinowalrus @ Cameo
Washed Out, Small Black @ Mercury Lounge (sold out)

9
Aa, Screens @ Death By Audio

101
The Magnetic Fields @ Town Hall

11
The Magnetic Fields @ Town Hall
Iran @ Knitting Factory

12-13
Henry Rollins @ The Fillmore

18
Killswitch Engage @ The Fillmore

19
Killswitch Engage @ The Fillmore
Oneida + Sightings @ Knitting Factory

23
Black Lips @ Brooklyn Bowl

24
Black Lips @ Bowery Ballroom

25
Nada Surf play Let Go + surprise guest @ Bowery Ballroom
Jello Biafra and Guantanamo Schools of Medicine @ Brooklyn Masonic Temple

26
Nada Surf play The Weight Is a Gift + surprise guest @ Bell House
Spoon, Deerhunter @ Radio City Music Hall

27
Nada Surf play Lucky + surprise guest @ Music Hall of Williamsburg

30
Big Pink, A Place to Bury Strangers @ Webster Hall

April
2
The Bronx, Japanther @ Music Hall of Williamsburg
Captured Tracks Showcase: Blank Dogs, Wet Dog + more @ Glasslands

3
Soft Pack, Nodzzz, Male Bonding @ Music Hall of Williamsburg

6
The Bronx, Japanther @ Bowery Ballroom

8
Black Rebel Motorcycle Club @ Webster Hall

10
Washed Out, Small Black @ Music Hall of Williamsburg

15
Liars @ Bowery Ballroom

18
Liars @ Music Hall of Williamsburg

21
Apples in Stereo @ Bowery Ballroom

May
3
Chapterhouse @ Bell House


[Upcoming Shows Playlist]

Albums to Watch for in 2010

*** DISCLAIMER: As with last year's list, these are albums I would like to see in 2010. Some have not been announced, and some probably don't and won't exist. I'm not trying to start rumors, I'm just an optimist!!***

Dinowalrus - This one is real and it's coming out soon. Like, in a week. I haven't listened yet, but I'm pretty sure it's going to kick ass. The band's experimental psychedelic drone probably isn't for everyone, but if you're into that stuff (and you should be!), this is as good as it gets. [myspace]

Dum Dum Girls - The debut is out in March. Dum Dum Girls are what's right about this whole lo-fi pop revival. [myspace]

My Bloody Valentine - A girl can hope, right? Right?

Ringo Deathstarr - I was hoping for this one last year, but this year it's actually looking promising. The loudest, densest, prettiest shoegaze in ages. [myspace]

Seawhores - Heavy and confrontational, yet melodic, Seawhores have earned their cult following. I don't know if they are planning an album, but since they signed to Death By Audio Records, they must intend to release something at some point. [myspace]

Shellshag - This one is real too, it comes out in February and it's going to rock. The band's two members like to get fucked up and fuck up and fuck you up. What else could you want? [myspace]

Titus Andronicus - Titus Andronicus play hardcore punk that's at once traditional and original, pushing boundaries with their ambitious compositions, shoegaze-influenced guitars and thoughtful lyrics. [myspace]

And keep an eye out for these too...

Black Rebel Motorcycle Club (March)

Fiasco (we'll see...)

Interference (February)

Liars (March)

Los Campesinos! (January)

Quasi (February)

Radio Dept. (February)

Sisters (we'll see...)

So So Glos (we'll see...)

Spoon (January)

Upcoming Shows: CMJ Music Marathon

The CMJ Music Marathon is nearly upon us, and it's time I give you my recommendations.

Here is my recommendation: AVOID CMJ. Skip the bands from this area or any you have the opportunity to see in other circumstances. CMJ is awful. It is expensive. It always runs late. The bands are hustled on and off stage in half an hour. Forget proper sound checks. If you want to chance the latest thing, you're going to be in some filthy basement you've never heard of, crushed against the wall by boring hipsters. It is just not worth it.

That said, there are some bands you should hear at CMJ because they don't play around NYC much. Here's my list:

Dum Dum Girls (Los Angeles, CA) - That DIY crowd got old fast, but there are a few bands in the bunch still worth listening to. Dum Dum Girls (actually just one girl, plus a touring band) are one of those, with good songs sung in a beautiful voice. Check it. [RFR Live Review] [MySpace]
 * Saturday, October 24 * 8 PM * Mercury Lounge (LES, Manhattan) *

JEFF the Brotherhood (Nashville, TN) - Ex-Be Your Own Pet, these brothers are brilliant musicians who slide smoothly between punk and metal, with a familiar sound that's easy to love but hard to classify (psychedelic? garage? lo-fi?). They will be back in NYC before too long, though, so don't break your neck to check them out at C(rap)MJ. [RFR Live Review] [MySpace]
 * Friday, October 23 (technically Saturday) * MIDNIGHT * The Charleston (Williamsburg, Brooklyn) *
 * Saturday, October 24 * 10:20 PM * Union Pool (Williamsburg, Brooklyn) *

Let's Wrestle (UK) - Let's Wrestle are a fine lo-fi indie pop band with really, really catchy, lovable songs. I haven't seen them live yet, but love the recordings. [MySpace]
 * Wednesday, October 21 * 11 PM * Bell House (Gowanus, Brooklyn) *
 * Friday, October 23 * ?? * Glasslands (Williamsburg, Brooklyn) [unofficial]*

Little Girls (Toronto, Canada) - One of my bands to watch, Little Girls just put out an outstanding debut which I haven't written up yet because the release date snuck past me. Gloomy, gothy post-punk, with a very lo-fi aestethic and a nervous, lively stage show, Little Girls are the shit. (The only thing I don't like them is that pedophiles sometimes accidentally end up on my blog when I write them up, due to poor google searches. Not kidding.) [RFR Live Review] [MySpace]
 * Tuesday, October 20 * 1:30 PM * Cake Shop (LES, Manhattan) *
 * Wednesday, October 21 * ?? [not on CMJ schedule, for some reason] * Union Pool (Williamsburg, Brooklyn) *
 * Friday, October 23 * 10 PM * Pianos (LES, Manhattan) *

Lovvers (UK) - Fun, rowdy and somtimes nasty UK punks. Ladies, stand up front for a chance to get a smooch. [RFR Live Review] [MySpace]
 * Tuesday, October 20 * 11 PM * Santos Party House (Chinatown, Manhattan) *
 ? Thursday, October 22 * ?? * Pianos (LES, Manhattan) ?
 * Saturday, October 24 * Afternoon * Brooklyn Bowl (Williamsburg, Brooklyn) *
 * Saturday, October 24 * 11 PM * Union Pool (Williamsburg, Brooklyn) *

Male Bonding (UK) - I first paid attention to this band because I think I once read that “Male Bonding” was the name of an early incarnation of Sonic Youth and I liked the name when they used it. Presumably, this band’s name is unrelated, since that’s some pretty obscure Sonic Youth trivia (if it’s even true). But I’m glad I noticed the band, no matter the reason, because they are awesome noise punk, with simple, raw songs, endearing melodies and some loud-ass guitar. [MySpace]
 * Tues. (actually Weds.) * 1 AM * Cake Shop *
 * Thurs. * 11:45 PM * The Delancey *
 * Fri. * 11:10 PM * “On the Side” at Seaport *
 * Sat. (actually Sun.) * 2 AM * Mercury Lounge *

Ringo Deathstarr (Austin, TX) - The best shoegaze band of our generation, highly underrated, extremely awesome. Massive walls of sound, deep, entrancing melodies, pitch bends and sick beats. [RFR Live Review] [MySpace]
 * Tuesday, October 20 * 11:30 PM * Fontana's (Chinatown, Manhattan) *
 * Wednesday, October 21 * 9 PM * Cake Shop (LES, Manhattan) *
 * TWO NON-CMJ SHOWS - 10/22 & 10/23 - See their myspace page for more info *

True Womanhood (Washington, DC) - Radiohead-esque experiental rock from DC. Up-and-comers who put on a great live show. [RFR Live Review] [MySpace]
 * Tuesday, October 20 * 8 PM * Cameo Gallery (Williamsburg, Brooklyn) *
 ? Saturday, October 24 * 3 PM * Death By Audio (Williamsburg, Brooklyn) ?


Here are some other shows you might want to know about:

Atlas Sound (Atlanta, GA) - Experimental, arty low-key rock from Deerhunter frontman Bradford Cox. [MySpace]
 * Tues. * 10 PM * Le Poisson Rouge *
 * Weds. * 10 PM * Music Hall of Williamsburg *

Broadcast (UK) - Highly lauded electronic duo with hints of shoegaze and post-rock, but with strong pop vocals. [MySpace]
 * Tues. * 11 PM * Le Poisson Rouge *

Busta Rhymes (Brooklyn, NY) - well, duh. [MySpace]
 * Thurs. * 11 PM * B.B. King *

Harlem (Austin, TX) - on the thrash end of the hardcore punk spectrum, Harlem are one of the best of their genre today. [MySpace]
 * Tues. * 10 PM * Santos Party House *
 * Fri. * 8 PM * The Suffolk *

Múm (Iceland) - Beautiful post-rock electronics, though perhaps a bit too gentle for some. [MySpace]

Pissed Jeans (Philadelphia, PA) - noisy, punky band in the SubPop tradition. They are hardcore but not at all off-putting, and make a real racket with their guitars. [MySpace]
 * Sat. (actually Sun.) * 12 AM * Mercury Lounge *

U-God (New York, NY) - mem. Wu-Tang Clan. Enough said. [MySpace]
 * Tues. (actually Weds.) * 12:10 AM * Southpaw *


And if you insist on checking out local bands, here are the absolute best:

Ambulance LTD - shoegaze-influenced rock with a guitar sheen and good songs. [MySpace]
 * Thurs. * 10 PM * Mercury Lounge *

The Antlers - a sad band that has some ambient influences and some electronics but is still a rock band. [RFR Live Review] [MySpace]
 * Tues. * 10:15 PM * Music Hall of Williamsburg *
 * Thurs. * 10 PM * The Delancey *

The Black Tie Party - some good DIY punky goodness. [MySpace]
 * Thurs. (actually Fri.) * 12 AM * The Charleston *

Cold Cave - not actually local, but they play around here a lot these days. A very interesting electronic group that can be really fucking loud and dissonant and in your face. [RFR Live Review] (...they've grown on me since then) [MySpace]
 * Tues. * 10:30 PM * The Studio at Webster Hall *
 * Fri. * 11 PM * The Suffolk *

Coyote Eyes - post-punk with interesting rhythms, guitar experiments and amazing, distinctive vocal melodies. [RFR Live Review] [MySpace]
 * Weds. (actually Thurs.) * 12:30 AM * The Delancey *

Darlings - their simple, DIY aesthetic is kept interesting by their apparent insanity that makes the sometimes appear to be playing completely different songs at the same time. [RFR Live Review] [MySpace]
 * Weds. * 10 PM * Glasslands *

The Depreciation Guild - massive electro-shoegaze walls of sound. And good-looking boys. [RFR Live Review] [MySpace]
 * Weds. * 8:15 PM * Cake Shop *
 * Fri. * 9:30 PM * Cake Shop *

Dinowalrus - off-the-wall, edgy music that defies convention, kicks out insanely complex rhythms and rocks as hard as anything. [RFR Live Review] [MySpace]
 * Tues. * 9:30 PM * Santos Party House *
 * Weds. * 10:30 PM * Cake Shop *

Hunters - an experimental punk band with a lot of creativity and no pretence. [RFR Live Review] [MySpace]
 * Thurs. * 10 PM * The Charleston *

Japanther - local pop-punk with a true youthful spirit and a pretty big following. They aren’t commercialized or dumbed down, they’re smart and uncompromising. They just also happen to be catchy and energetic as hell. [MySpace]
 * Weds. * 10:15 PM * Suffolk Back Room *

Knight School - lo-fi indie pop with sweet little melodies and a lot of fuzz. [MySpace]
 * Fri. * 8:15 PM * Bruar Falls *

Obits - first-rate hardcore punk. [MySpace]
 *Sat. (actually Sun.) * 1 AM * Mercury Lounge *

Screaming Females - PJ Harvey does classic rock? Gutsy guitars, hard rock common sense and a punk attitude, from one very small, very rad woman. [RFR Live Review] [MySpace]
 *Weds. (actually Thurs.) * 12 AM * Mercury Lounge *

Screens - I don’t really know much about this band, but from the little I know, I have a good feeling about them. They are probably not the most accessible, but they are doing something original and exciting. I haven’t heard them live, but I have a hunch they’re worth checking out. [MySpace]
 * Tues. * 7:30 PM * Santos Party House *

Shilpa Ray and Her Happy Hookers - bluesy and rootsy, but challenging, punkish and just plain weird music by another very small, very rad woman, this one with a hand-powered harmonium and a very foul mouth. [RFR Live Review] [MySpace]
 * Thurs. * 11 PM * Pianos *
 * Sat. * 11 PM * The Delancey *

Young Boys - like the Jesus & Mary Chain, messy, feedback-laden noise with solid, head-bobbing melodies under the surface. One of the coolest bands in New York these days, and one of the few the scenesters have yet to uncover. [RFR Live Review] [MySpace]
 * Tues. * 7:45 PM * Fontana’s *

Live: Woodsist Festival Recap (Day 2)

The second day of the Woodsist/Captured Tracks festival was moved outside to its originally-intended venue, a vacant lot down the block from Market Hotel, just under the train tracks. And despite the trains rumbling by overhead and the echos off the buildings, the space was great acoustically and aesthetically.

I arrived later than I'd planned to and missed Brilliant Colors, who I heard were outstanding. I'm really bummed about that, since they live way over the West Coast and there's no telling when they'll be back.

I did arrive in time for the Fresh & Onlys, a band whose name I've heard around a lot lately. I was disappointed - their music was generic and unmemorable, just your typical semi-sedated lo-fi punk with listenable but not catchy melodies and unchanging, standard guitar-drum-bass arrangements. There was a synth/sampler but it was often hard to pick out of the sound, since it often played exactly the same part as the guitar and bass. Yaaawn. [MySpace]

One thought that crossed my mind while watching the Fresh & Onlys: at least in the 90's, we let the girls play bass. Now, I understand that sometimes you want a female vocalist or find one who is good and the rest of the people in the band happen to be guys, and that's fine. But in this scene (beyond the scope of this festival) women are disproportionately relegated to backup or co-lead vocals and tambourine, and they're often not even good at that. It may not be anyone's fault, but it's still a bad sign that girls aren't encouraged to pick up instruments or aren't encouraged to join bands. Something is wrong.

Next up were Dum Dum Girls, who at first glance may appear to fall in that same troubling pattern. But there's a huge difference: in both Dum Dum Girls and the Mayfair Sect, Kristin "Dee Dee" Gundred is a phenomenal singer and a solid songwriter. And it seems she has creative control over the music in both bands, unlike many of the tambourine-shaking ladies around. Crystal Stilts' Frankie Rose also joined in on drums, but even if Gundred had been the only woman on stage, I couldn't fault the band. Strong melodies, well-delivered, with a masterful instrumental back-up from Rose, Crocodiles' Brandon Welchez (Gundred's husband, in fact) and Blank Dog/Mayfair Sect's Mike Sniper - definitely one of the highlights of the festival. [MySpace]

Sadly for all attendees, Michigan's excellent punks Tyvek were forced to cancel because (rumor has it) their bassist, Shelley Salant, landed in the hospital this weekend. The good news is that she's OK and that the band will be in New York on July 24 (@ Silent Barn) and July 25 (@ Cake Shop). [MySpace]

Both Woods and Kurt Vile played louder, more aggressive sets than I expected. Perhaps it was the acoustics, perhaps it was the spirit of the day, but both seemed to crank it up. This is really neither good nor bad - I like things loud and distorted but both these bands have such great songs that volume and distortion are irrelevant - their songwriting outshines everything else.

Woods played a thrilling set of many of their best songs, sounding, as always, like an oddly distant, distorted version of Neil Young or the Byrds. Their melodies are sweet folk pop, but their sounds are subtly unsettling. One of the best. [MySpace]

I can't get as into Kurt Vile - he has some good songs, but ultimately, I found the whole thing a little dull for my tastes. That said, if you're into folk and not looking for constant hooks and uptempos, you'll probably love him - he's doing a lot right, for sure. [MySpace]

My dislike of the Vivian Girls is no secret, despite how much I want to like them. Given my lowest of low expectations, I was pleasantly surprised. Their delivery was punkier than I'd anticipated and they have actually started moving when playing. The fast, loud, crashing drums helped immensely. However, after a couple songs, I did reach my usual state of boredom. The band's "melodies" are rarely more than three or four notes and their "solos" or "jams" or whatever they are meant to be usually consist of a single chord and go on way too long. If the Vivian Girls made songs clocking it at a minute or two instead of five, I might actually enjoy them. [MySpace]

I had high hopes for Thee Oh Sees, but my reaction was mixed. On the one hand, they followed the whole mediocre-female-singer-with-tambourine concept and there wasn't anything special about them to set them apart from the rest of the bands - they sounded kind of like a recap of the festival, but not in an interesting way.

On the other hand, their delivery was lively and engaging and their arrangements well-conceived. They put their heart into playing and it showed. They also had better vocal lines than many of the day's bands. Still, though, there wasn't enough substance to hold my attention for long. They were fun, but as far as I saw, nothing to write home about and certainly a big creative step down from Woods, Blank Dogs and even Crystal Stilts. [MySpace]

Live: Woodsist Festival Recap (Day 1)

A couple of days at the Woodsist/Captured Tracks Festival is all it takes to illustrate how inbred the DIY scene truly is. There were so many members shared between bands that the event simply seems like a quick run-through of all the three-to-five person permutations possible with a dozen core members. (OK, math nerds, settle down. Permutations, not combinations, because sometimes they just rotate instruments.)

Some of the Woodsist bands are outstanding and several (Wavves, Woods, Crystal Stilts, Little Girls, etc.) number among my recent favorites, but with such a closed circle, it seems like the musicians and the small movement they've created is hurtling towards an artistic dead end. The festival was the culmination of a year and a half of well-deserved success, but seeing so many of the bands play in short succession was just watching them paint themselves into a corner.

Anyway...

The first band I caught was the Mayfair Sect, the debut of a collaboration between Kristen Gundred, the sole member of Dum Dum Girls, and Mike Sniper, the sole member of Blank Dogs - joined by members of Woods to round out the live band. Since Sniper also joined Gundred for the (also first-ever) Dum Dum Girls set on Saturday, the whole thing seemed a bit redundant. But in any case, Gundred has a powerful voice, one of the best of the festival, and Sniper's baritone is not far behind. The songs and performance were solid, but unremarkable - it seems like we've heard this all before.

Little Girls followed, a band "Jasper" recently recommended. Having seen them live, I can stand behind that recommendation even more confidently. The sound in Market Hotel was awful, and almost every band of the night sounded off-key. Little Girls were no exception, but their performance was far less aloof than many of the other bands and the dark tints in their music set them apart from the pack.

Similarly unaloof, Cause Co-Motion! gave an outstanding performance, tearing it up (literally, tearing up some of the stage's paper decorations) and jumping around like fourteen-year-old hardcore punks. However, the venue's poor sound, combined with the band's decision to deliver their songs in extra fast, extra messy punk fashion, ruined the set. I like extra fast and extra messy, but CCM aren't a punk band, they're a lo-fi pop band, and with their melodies falling flat, there was little to listen to. I had fun watching, but my ears were just plain bored.

I was glad to finally catch Psychedelic Horseshit, a band that's managed to generate some publicity simply by being arrogant and rude. Not all that surprisingly, the music sucked. The band seems out to destroy, and while I'm all about destruction, the secret truth is that you've got to do more than tear things down. No harmonies, no melodies, no songs, nothing but vocal snarls, guitar noise and primal drums. The most interesting part of the music were some dual rhythms with no apparent alignment; that was pretty cool, but the novelty did wear off eventually. I found it difficult to listen to the rest, which lacked bass or any low-register notes besides the bass drum. I do have some respect for the band and their willingness to negate everything. Still, making ugly noise to piss people off isn't exactly original.

Though I didn't like Blank Dogs last time I caught them live, their recorded material has really grown on me over the last few months, and I was excited to give the band another chance. Unfortunately, I still didn't like what I saw. If Sniper surrounded himself with other musicians who shared his dark vision, Blank Dogs could be a great live act. However, those who joined Sniper on stage didn't seem hip to his music's murky, gothic undertow. The band played as though they were playing with any other Woodsist band, confusing and obscuring the elements that make Blank Dogs unique.

Headliners Crystal Stilts delivered the most energetic performance I've seen from them to date - though that's not really saying much. They did do far better than the rest of the day's bands (Mayfair Sect possibly excepted) in overcoming the acoustic difficulties - their melodies were clear and in tune and their instruments distinct and balanced.

Despite a few changes (drummer Frankie Rose finally sitting down, for one), the band is doing pretty much what they have been, and their songs still sound disappointingly alike. A few of their more uptempo songs stood out in the set and the rest were at least enjoyable. It was nice to see the band finally having some fun too, dropping their detached posturing and really playing a heartfelt show for a room full of friends.