Guest List: Best Live Acts of 2009

The ever alluring "Jasper" put together a list of best live acts he saw in 2009. I threw in links to any reviews I wrote of those shows we saw together.

#15   Sonic Youth put on a just plain great rock show. The fact that they are an essential piece of rock n' holl history in the flesh and the props they get for still doing it this well 30 years later is what elevates them above the hundreds of other great rock shows this year and earns them a place here.
(RFR Review)

#14   Animal Collective makes truly unique and often astounding music, but their shows are about more than just reproducing it live. Considering how many of their tracks are either heavily produced or exude a very personal, almost private, feeling, it is impressive how they transform them to fill the vast concert halls they now frequent. Combined with their quirky, honest, no holds barred stage presence and you have a show unlike any other. Were it not for the occasionally excessive jam sessions, they would have been higher in this list.
(Jasper Full Review)

#13   JEFF the Brotherhood are gritty, loud and rambunctious, yet still technically polished. Simply put, their shows have been some of the most fun I've been to all year. In a underground music culture rife of overly self-conscious, pretentious and just plain wimpy hipster cliches, two guys unafraid to play good old rock n' roll (that is nonetheless innovative) and mean it are as ballsy as they are refreshing.
(RFR Review 1 / 2 / 3)

#12    That the Vandelles' shows make you simultaneously want to dance and sing along AND cower in a corner with your hands pressed tightly against your ears is impressive enough. Throw in a charismatic front man and a drummer whose unmatched aggression only adds to her sex appeal and you've got one hell of a show. Who am I kidding? The whole band is exceptionally good looking and know how to work it and as much as we hardcore music fans want to tell ourselves that it's all about the music, we're only human.
(RFR Review 1 / 2 / 3)

#11   Titus Andronicus - Though I could never much get into listening to their albums, I have to admit that the TA shows I've been to have been some of the best all year. Committed and adept performers, they inspire a contagious enthusiasm in their fans. Beyond that, they embody the true spirit of punk: agressive and confrontational, yet communal and inclusive.
(RFR Review 1 / 2 / 3)

#10   Stupid Party - Forget committed, these guys are just plain nuts. With equal parts agression and abandon, they appear to pour every fiber of their beings into their shows yet exude the spontaneous joy of kids at a playground.
(RFR Review 1 / 2)

#9   Lightning Bolt - Never had I been to a show where the entire room erupted into a mosh pit at the musician's first touch of his instrument - and that was just the sound check! We all know that they are supremely skilled musicians, but there is something in their music that transcends technical virtuosity and sends a jolt through their fans unlike anything else I have yet witnessed.
(RFR Review 1 / 2)

#8   Beluga - Plenty of bands have loud guitars, infectious hooks and effective arrangements. Few have a striking front woman who refuses to remain still, dances with the audience and writhes on the floor. This is the real thing kids, don't miss it!
(RFR Review)

#7   Screaming Females shows are all about the uninhibited yet astoundingly skilled antics of front woman Marissa Paternoster. She sings and screams and shreds with an aggression and technical prowess not typically associated with diminutive women - but boy does she show 'em how it's done.
(RFR Review 1 / 2 / 3)

#6   ...And You Will know Us by the Trail of the Dead put on shows as sweeping and dramatic as their name, without the off-putting excess that's often part of the package. How? They deliver every note and word with unwavering and uninhibited passion. They are truly one of the most powerful bands I have ever witnessed.
(RFR Review)

#5   Fucked Up also perform with grandeur and power uncommon in today's hyper self-aware landscape, although their shows are as much about sonic assault as they are moving their audience emotionally. Not in years (dare I say, since Black Flag?) has anyone so raw been compelling on so many levels - visceral, emotional and intellectual.
(RFR Review 1 / 2)

#4   A Place to Bury Strangers - Speaking of sonic assault, these guys do it better than anyone I know of on the scene today, while simultaneously undermining any image of themselves as traditional rock stars by obscuring their own figures with smoke and strobe lights. To witness their shows is not so much to encounter a rock band but a force of nature.
(RFR Review 1 / 2)

#3   No Age - This one might not be be fair since they are a perennial favorite of mine, but I am hard pressed to think of any band that, no matter where or how many times I see them, it is literally one of the most fun nights of my entire year. Sophisticated, shoegaze influenced soundscapes are backed by a good ol' fasion punk rock spirit. Also, their shows always seem to inspire an unusually spirited yet mostly non-violent mosh pit. Don't miss these guys the next time they come around!
(RFR Review, sort of)

#2   Pterodactyl have pretty much everything I have pointed out so far that makes a great live band: charisma, visceral force, technical prowess, a hint of insanity, a whole lot of fun and the sense that they really mean it. But what puts them ahead of the pack is their undeniable musical originality and, more importantly, the fact that their live shows evolve continually. Rather than finding a formula for success and sticking with it, every Pterodactyl show I've seen has been distinct: sometimes loud and abrasive, sometimes poppy and sing-songy, sometimes noisy and experimental (not to mention, all of these at once). While every band on this list puts on a great show and has something unique to offer, this extra level of risk-taking is exceedingly rare.
(RFR Review 1 / 2 / 3 / 4)

#1   Ponytail - I've detailed the characteristics I value in a live band so many times by this point that to list everything good about Ponytail's shows would be redundant. Suffice it to say they have it all and take much of it just one step further than the rest (in particular, the antics of their lead vocalist, who is physically small but larger than life in sound and personality). What is really extraordinary and different about their shows however, has as much to do with the atmosphere as what the band is actually doing on stage: to be at a Ponytail show is to be surrounded by hundreds of kids literally jumping up and down for experimental free-form noise rock.

This uncommon combination of spontaneous joy and high-art appreciation among fans points to what makes Ponytail's music and their shows so striking and important: their ability to synthesize disparate or even seemingly contradictory qualities. Their music is at once visceral and intellectual, arty yet fun, experimental yet widely appealing. In this way, Ponytail represents all that rock music can be, in the tradition of some of my greatest heroes like the Velvet Underground and Sonic Youth. Such a comparison is a high compliment indeed; however, what makes Ponytail even greater is that they do not achieve what these bands did by aping them. Rather, their music is some of the most original and truly unique out there today. So there you have it: a band that both returns to what was so awesome about the greatest of the past and moves the the art form forward into the future.
(RFR Review 1 / 2)

Guest Review: My Parents - "Happy Birthday to You"

Jasper sent me a review over IM of the limited edition single "Happy Birthday to You," a cover of the classic Orem and Forman song performed a capella by husband-wife outfit My Parents.


Song: "Happy Birthday"
Voice Mail Records, 2009
Rating: ******** (8/10)

I just listened to a voicemail from my parents. As soon as I saw whom it was from and the length, I knew exactly what was going to be on it. It was 44 seconds long and from their home phone.

They did a pretty good job of it though, sang in approximately the same key. My dad even did a little harmony thing at the end. My mom was not quite prepared to hold down the melody so she dropped out, but still, on a scale with most covers of the song, quite respectable. I guess that is not saying much.

Wow, I think I just wrote musical criticism of my parents singing me "Happy Birthday."


I post this as a cautionary tale for those thinking of pursuing music criticism as career or hobby. Kids, you don't want to end up like this.

Five Bands to Watch in [the rest of] 2009 + Overrated Bands of 2009!

Six months ago, I posted my list of bands to watch in 2009. A few have proven me right, a few have been disappointing and the rest, well, we'll see. But over the last six months, I've come across or become more familiar with some other bands that merit your attention, and just because I found them in February instead of November doesn't mean they shouldn't make the '09 list.

Coin Under Tongue - For some reason, when I first learned of this band, I got the impression they were some sort of chilled out Americana thing - in fact, I distinctly remember listening to such music, but apparently, I was listening to a different band entirely (no idea what). Coin Under Tongue are LOUD and HEAVY, with the most massive distortion since A Place To Bury Strangers emerged a few years ago. You shouldn't be surprised to learn that I am NOT a metalhead at all, but with their relentlessly screaming vocals, this lumbering post-hardcore is well worth checking out.

Coyote Eyes - I've been increasingly smitten with this band since I first saw them in January. Their post-punk betrays a strong Sonic Youth influence, but they don't sound like Sonic Youth at all. Their perfectly-balanced rhythms, enticing melodies and enthusiastic live shows show they have what it takes to be a big name in the Brooklyn scene. [MySpace]

Pterodactyl - If you read this blog regularly, you'll have noticed that it's pretty much all about Pterodactyl these days. My mother thinks the high-speed arpeggiated guitars sound like French ambulances, but in combination with the jolting rhythms, jackhammer drumming and wild multipart vocals, Pterodactyl are more like riding strapped to the front of a French ambulance than just hearing one go past. Off the top of my head, I can't think of a single band that has balanced mature musicianship and manic, youthful energy more effectively. Their music may not have much mainstream appeal, but among true lovers of edgy music, they deserve to be considered one of the most exciting emerging bands of the last few years. [MySpace]

Sisters - I know, Death By Audio Records (also home to Coin Under Tongue) is cleaning up here! After being moderately impressed by Sisters at Dead Herring House this spring, I got my hands on some of their tunes, and I got a whole lot more excited. The pair garners a lot of not-undue comparisons to No Age, last year's noise pop/noise punk duo. But Sisters are a little more down to earth - their songs are shorter and more straight-forward. On the one hand, this means they are rather less sophisticated than No Age, but on the other hand, they sure pack a punch. They sound a heck of a lot like Sonic Youth's punkiest side and that's a very good thing to sound a heck of lot like. The guitar's heavy distortion and the drums' primal minimalism compensate for the decent-but-unexceptional melodies. Plus, how can you go wrong with songs like "Lust Is Just" and "Everybody's So Fucked Up"? This band is just plain cool. [MySpace]

**GUEST ADDITION**
Jasper recommends (and so far, I agree):
Little Girls - Little Girls sound like Blank Dogs if they came off their high horse of rock star snottiness. (Also, they are a rock band in the purer sense of the word without the synthesizers or electronica influences.) All of the noise, all of the melody, none of the pretension. - "Jasper" || Little Girls play lo-fi noise pop, but with a darker, gloomier undercurrent than their punky peers (No Age, Wavves, Times New Viking, etc.). - RFR || [MySpace]

An update on my early 2009 lists: A Sunny Day in Glasgow's album is rumored to be all I hoped it would be. I don't have my copy yet, but rumors are encouraging.


And as a supplemental list...

The Most Overrated Bands of 2009 (so far):

7. Magik Markers - They aren't terrible, but really, Thurston Moore? You couldn't have found someone better to dote on? I have some suggestions (see above).

6. Home Video - So much buzz, and all this is is generic new wave? I think they're the new Violens (and that's not a compliment).

5. Real Estate - All the hype around this band got me pretty excited. They were playing shows with Woods and Wavves and all of those bands I love so much. I downloaded some of the songs and promptly fell asleep. These guys might have even fewer melodies than the Vivian Girls.

4. An Horse - This is one of the worst bands I have ever had to sit through a set by. Perhaps more tolerable than Naked on the Vague (their fellow Australians) but still nothing short of painful. The melodies seldom contain more than three different notes and the words could be taken directly from the diary of a particularly lame twelve-year-old. I couldn't leave the show (no re-entry) and I think I pulled a muscle cringing.

3. St. Vincent - She makes me want to get my head run over by a semi-truck.

2. Suckers - This band is appropriately named. They suck. All show, no substance.

1. Dirty Projectors - I disliked this band in principle for a long time before realizing I should actually give them a fair chance. So I did. My mind was wide open, at least for a few minutes. They strike a balance between boring and annoying few have achieved so well.

Live: Animal Collective (Guest Review!)

This just in from our LA correspondant, Jasper!

When: 5/29
Where: The Wiltern, Los Angeles

What I love most about this band is their unabashed quirkiness; not self-conscious eccentricity, mind you, just a few weird dudes fearlessly being nothing but themselves (or are they just blissfully oblivious to anyone's judgment?). This comes across even more strongly in their shows than on their albums.

AC don't play songs so much as a continuous hour long DJ set of drums and psychedelic synths that unexpectedly yet seamlessly gives way to the Beach Boys-caliber melodies for which they are so famous. As soon as the band emerged it was obvious that these guys were not the cool kids in high school: Panda Bear bends intently over his drums and soundboard while Avey Tare bounces, hops and jerks to the beat. The plainness of their outfits contrasted with the overwhelming intensity of the multicolored lights and rapidly cycling surreal imagery projected onto a huge globe suspended above the band, not to mention the power of the music. There is something awesome about three guys awkwardly hunched over their instruments blasting an ecstatic audience of thousands with a deafening deluge of tripped out melody and pounding percussion.


Animal Collective
As soon as the first recognizable melody emerged (Avey Tare's "Summertime Clothes") I realized something not totally apparent on the impeccably produced albums: there is nothing pretty about Avey Tare or Panda Bear's voices. (I began to understand more concretely why allmusic lists Björk among their influences.) Rather than detract from the power of their the music, however, the contrast of the roughness in their voices, punctuated with piercing shrieks, against such exquisite harmonies is nothing short of breathtaking. If the even the artiest of punk rock draws visceral thrill of loud electric guitars, then AC similarly draw on the even more primal thrill of a good yell.

While the less melodic sections did become excessively drawn-out and repetitive at times, the joy of finally being caught-off guard by your favorite AC tunes made the wait seem worthwhile. And if the band did get a little self-indulgent, with such an incessantly enthusiastic audience (that included both the hippest and dorkiest people in LA) loving every minute of it, who could blame them? With their inclination to make the wild and unpredictable musical, AC have become widely adored by speaking to the weirdos in so many of their fans.

Live: Crocodiles + more (Guest Review!)

My friend "Jasper" has been eager to contribute something to the review for a while now. So here it is at last, his Radio Flyer debut:

When: 4/4
Where: Pianos

Piano's show this past Saturday, headlined by San Diego's Crocodiles, was one of the most highly-buzzed in NYC and I was excited to see (and review) it. A note about the line up: though Monokino was listed as the first band on the schedule, the band I saw sounded and looked nothing like them (according to Myspace). I could not figure out who it was, but suffice it to say they played solid but unremarkable Indie Rock with its fair share of minimalism and distortion: well paced songs that held my attention throughout the set but failed to stay with me much afterward.

TWEAK BIRD

Admittedly, metal is not my thing, but I'll do my best: Tweak Bird consists of a guitarist and drummer, both of whom sing, and together manage to create quite an impressive amount of sound. Other than that, they seem to be a pretty typical metal band with many genre characteristics familiar even to non-metalheads: a heavier sound and slower tempo than punk, more virtuoso guitar work, drawn out songs with long instrumental sections and lyrics depicting a fantasy world. To their credit, they held my attention for a while and even got my feet a-tappin', although their leaden sound eventually began to drag. Still, the fact that they appealed to me at all is a good sign and it's probably not a bad idea for anyone seriously into metal to give them a listen. [MySpace]

NEW THRILL PARADE

San Francisco (NTP's home turf) is a beautiful city and among all that fog and ocean breeze and multicolored Victorian architecture, one can lose touch with reality. Such must be the case with this band. Men in gowns, vocals that varied between a squeal and a roar, and a saxophonist in a monkey mask are some examples of this band's total weirdness. And I'm all for total weirdness - when it says something, that is. It's not that New Thrill Parade has nothing to offer; they all play quite competently, and there were even moments when I found myself getting into the bizarre groove of their quasi-orchestral goth rock. But as the set wore on, the music proved to be just as excessive and tiresome as their style. I wish I could tell you more about their sound, but quite frankly, it was pretty unmemorable. Never have I seen or heard something that was so totally over the top without being the least bit edgy. If there was a point to this overwrought and drawn-out freak show I missed it, and came out too bored with the whole thing to look any further. [MySpace]

CROCODILES

I had a lot of reasons to look forward to the set of the latest buzz-band, Crocodiles: they've been compared to Jesus and Mary Chain, they are a favorite of one of my favorites, No Age, and I found their myspace samples totally addictive.
So did Crocodiles live up to my inflated expectations? For the most part, yes. The comparisons you may have heard are apt: Crocodiles sound like JAMC with the beat turned up and the noise turned down just enough to make you want to move your feet, clap you hands and maybe even sing along. Still, the show could certainly damage some eardrums - the noise is more emphatic live than on their myspace tracks, with louder feedback playing over those catchy melodies and with long, loud interludes and outros totally absent in the recordings.

On stage, Crocodiles presented themselves with an unusual balance of endearing charm and cool aloofness, an apt compliment to caustic yet irresistible sound. Lead singer Brandon Welchez hopped around with an almost awkward but infectious enthusiasm, but he never removed the Ray-Ban knock-offs that distance him just enough to keep you from forgetting that he's probably cooler than you. Guitarist Charles Rowell sported an identical pair, bopping to the beat in a slightly more understated but still energetic manner.

Crocodiles played a short set - about half an hour - the only parts of which I did not recognize were those noisy interludes. Even as these became amelodic, however, they never lost the beat or veered off into the formlessness of noiseniks like Sonic Youth. Rather, Crocodiles manage to stay just this side of the noisy/melodic threshold, appealing to an edgy, experimental sensibility while remaining listener-friendly to more conventional tastes.

One drawback of the performance: although the music includes a great deal of percussion and electronic effects, the only instruments on stage were the guitars wielded by the band members (mostly solely by Rowell). While it makes sense that electronic effects would not be produced live, I would have like to see them bring on an in-the-flesh drummer much like such highly respected acts as Wavves and Crystal Castles do in live shows. It would have made the show more exciting and visually balanced.

It's still too early to tell if Crocodiles will achieve something truly groundbreaking or momentous. What is apparent is that they live up to the impressive hype they've garnered and I look forward to seeing/hearing more of them in the near future. [MySpace]

Upcoming Shows: Thurston Moore, Gunfight! + more

Friday, January 30

Gunfight!, Soundscapes and Quiet Loudly @ Vanishing Point - Bushwick, Brooklyn
Three bands I love (along with two bands I know nothing about) are playing at Vanishing Point on Friday. I'm going to recycle old descriptions of each band from previous posts: Gunfight! is basically hipster-party garage rock revival with a country-western bent. The Soundscapes are what it would sound like if Sonic Youth's Thurston Moore joined Yo La Tengo. Quiet Loudly features percussive rhythms, masterful blues-inflected guitar solos and awesome walking bass lines. This is going to be a fun show.

Sunday, February 1

Thurston Moore @ Glasslands - Williamsburg, Brooklyn - $7
Thurston Moore. The guy from Sonic Youth. Enough said.

Monday, February 2

Frightened Rabbit @ Le Poisson Rouge - Greenwich Village, Manhattan - $15
This is an acoustic, request-only set, which sounds like it could be really fun! Frightened Rabbit are a poppy alternative rock band from Glasgow who can be a bit whiny, but are forgiven because their songs are pretty darn good.

*GUEST RECOMMENDATION*
"Hortense", a guest contributor to Radio Flyer Review, recommends Lykke Li, the oddball Swedish pop singer who's been hailed as a slightly saner version of Bjork and one of the best break-out musicians of 2008. She plays Webster Hall on February 2 and the Music Hall of Williamsburg on February 3. Both shows are sold out, but you can probably find tickets on Craigslist. Be careful though - last time I recommended looking for tickets on Craigslist (Animal Collective at Bowery), a bunch of people got scammed. So do your homework before you fork over the cash!

Guest Post: How To Like The Ramones

In response to my post yesterday, my friend "Pancho" sent me some helpful tips on how to like the Ramones. Here's what he wrote:

They are stupid, naive juvenile delinquents from the 50s who have a fast look and sound and are the four coolest guys on Planet Earth. Their leather jackets rule; their haircuts rule; their guitars rule. Their concerns are the most pressing on Planet Earth; hanging out at the beach, hanging out with girls, hanging out sniffing glue, hanging out getting shock treatment, hanging out in the park after dark, hanging out pretending to be Nazis, hanging out mythologizing themselves as this great rock gang with a legion of followers, and of course, not hanging out with you. Melodies? Forget about it. "Yummy Yummy Yummy" is the melody that may have inspired them the most. When you fuse this with the volume and aggression of Ron Asheton's guitar, well, it's fucked up and way hipper than thou, even though we're talking about four unemployed construction workers from Queens. Yes, the Ramones are a total art accident and thank god. They are indeed a gang, they are rock and roll, they are America, they are speed, they are poets, they are hopelessness, they are hopefulness, they are the best day you ever had, they are your insanity, they are the 50s, they are the 70s, they are the future, they are New York. They are dumb and brilliant. They are Phil Spector and Lou Reed. They are straight guys who hustle, Jewish Nazis, leftists and conservatives, united by Sha Na Na, the British Invasion, complete creepiness, desperation, sick humor, and hate. Most of all, they are worthless punks with naive hearts and bad bad brains. They bring you the profound in the simple--"chewing out a rhythm on my bubble gum/sun is out and i want some"--"met her at the Burger King/Fell in love by the soda machine," "gabba gabba we accept you/we accept you/one of us--and the darkness in your idyllic manicured world--"Get the glory/Like Charles Manson," "hey ro-me-o/I don't wanna go/down to the basement," "you're a loudmouth baby/you better shut it up/I'm gonna beat you up." Who are they? They are the Ramones. The key to enjoying the Ramones is to stop thinking and maybe even to stop listening. At least stop listening for music. They are about feeling good. They are about celebration. They celebrate being an outsider and an insider. They celebrate their awkwardness and anger at their awkwardness. They celebrate love and insanity most usually in the same song. They celebrate being cool but also being themselves. They are the sickest pop joke ever, catchy and anthemic, with rallying cries that no one got behind until 30 years later. They are self made but also made by Queens, made by CBGB's, made by the places they made. Melodies? I take that back-maybe. Songs? Oh yes. A template? To die for, impossible to duplicate. The Ramones are damn impressive. They are our rock treasure. But gabba gabba hey, don't listen to the Ramones to be impressed. Listen to the Ramones to love your life.

Guest List: Top 7 Albums of 2008 (Hortense's List)

Another guest list, another turn on the random name generator. Here it is:


1. Youth Novels by Lykke Li - Okay.... Cute voice, talented writer and a damn good dancer! Not to mention she is smoking hot! My favorite album of 2008. Listen to: Little Bit


2. Volume One by She and Him - This album was surprisingly made by Zooey Deschanel (girl from winter passing, elf) and M ward. It has a 60s feel to it and I find it rather relaxing to cook/bake to. Don't make fun of me until you try it.


3. Exit Strategy of the Soul by Ron Sexsmith - This album is timeless, classic and beautifully composed.


4. For Emma, Forever Ago by Bon Iver - This album is slow, yet moving. As a whole, it keeps your attention by building up each song.


5. Fleet Foxes by Fleet Foxes - The name totally fits the band. When I listen to it, I just imagine lots of little cute forest animals gathering and singing like a chorus. Very pretty blended high vocals.


6. Med Sud I Eyrum Vid Spilum Endalaust by Sigur Rós - Ok, I was a bit confused when I first heard this, because I'm used to just putting on a Sigur Rós album and relaxing. This one has a fewupbeat songs in the beginning of the album, but they put you in such a good mood you have to like them. Towards the end, you can relax again, because the album finishes off with beautifully soft songs.


7. Lesser Matters by the Radio Dept. - This album was close to not making my list because I thought it came out in 2007. However it was released on Jan 1st, 2008, so HA! It just made it! This album has a lot of great songs. My Favorites: Keen On Boys, Why Won't You Talk About It, and Lost and Found.


On a side note..... Lykke Li will be performing at Webster Hall on Feb 2nd.. Definitely worth seeing! Happy New Year Everyone.

Guest List: Top 5 Albums of 2008 (Pancho's List)

OK, here's another guest list for you, this one from my friend "Pancho" (thanks again, automatic name generator). Pancho plays bass guitar and sometimes writes reviews for legitimate music sites. (I can't tell you what, but you've probably heard of them.)

Pancho says:

I don't listen to a ton of new albums. I am an itunes picker and chooser and playlist maker, and I mostly listen to older stuff, but here you go:

1. TV on the Radio - Dear Science . . . Are they more like Earth Wind and Fire or Radiohead? They are most like TV on the Radio and way better than Talking Heads. This group is completely in control of their sound at this point, original and wholly relevant. Incredible concert in Brooklyn this year.

2. Nick Cave and the Badseeds - Dig Lazarus Dig . . . This one really rocks; the Grinderman project wore off on Nick and the result is a really funny, vivid rock and roll album with the literary effect still intact.

3. Karniege and NASA - From the Left . . . Progressive, psychedelic hip-hop in authentic and meaningful form. Like lunchroom boom-bap on acid. Really smart and thought out and tough as hell.

4. Earth - The Bees Made Honey in the Lion's Skull . . . This might be one of the most boring instrumental albums ever made but I still really dig it. I think it's the piano flourishes that do it for me - they add this tiny little metallic sheen. If you have the time to listen to it, go ahead. Did this album even come out this year? Or was it 2007?

5. Kanye West - 808s and Heartbreak . . . . Kanye West fools a lot of people again by hiding a ton of musicianship, thought, and gigantic pop appeal in another somehow fascinatingly self-indulgent album. In case you can't hear the groove, listen to "Heartless" in your car. (If you don't have a car, buy one.) In case you don't catch the pop appeal, listen to the most seemingly retarded song such as "Robocop" twice and then catch yourself singing it on the subway and dying to listen to it again.

Honorable mention to Metallica for Death Magnetic, which you need to listen to more than once to understand what they pulled off. Seriously, it's a miracle that they made not only a decent album but a really good one that basically, jammed alll the way throughout. Kirk Hammet, as someone put it on a youtube comment, "still has the moves," definitely the star of the album and the least irritating member of Metallica.

Shout out to Isaac Hayes who died this year and dwarfs everyone on this list with a shadow the size of Jupiter. "Hyperbolicsyllabicsesquedalymistic" and "Do Your Thing" are a good starting points if you've never indulged in this phenomenal music. The latter finds him as easy to agree with as James Brown (that's right, Ike) and possibly even more so, which is no easy feat.

***

The first guest list is here.

Guest List: Top 10 Albums of 2008 (Salvador's List)

My list is almost ready for you all, but in the meantime, I've asked a couple of my more musically-inclined friends to contribute lists of their own.

So here's guest list #1. I won't tell you the author's name (let's call him "Salvador" - thanks random name generator, he'll hate that!), but I will tell you he's a guitar player and songwriter. I've also put in his notes.

Here it is!

10. Voyager One - "Afterhours In The Afterlife" (i just discovered them a few months ago)

9. Portishead - "Third" (they did it again)

8. The Charlatans - "You Cross My Path" (i think it's their best record since the 90's)

7. The Music - "Strength In Numbers" (i always LOVED this band)

6. Glasvegas - "Glasvegas" (i didn't like them before, but recently i started to adore this band)

5. James - "Hey Ma" (one of the greatest comebacks ever)

4. The Raveonettes - "Lust, Lust, Lust" (great, solid album)

3. Radiohead - "In Rainbows" (it's just so beautiful)

2. The Ruling Class - "Tour de Force" EP (they are gonna be HUGE soon)

1. The Verve - "Forth" (no question)


Stay tuned, I've got another one or two guest lists coming up.

RFR