Live: Woodsist Festival Recap (Day 1)

A couple of days at the Woodsist/Captured Tracks Festival is all it takes to illustrate how inbred the DIY scene truly is. There were so many members shared between bands that the event simply seems like a quick run-through of all the three-to-five person permutations possible with a dozen core members. (OK, math nerds, settle down. Permutations, not combinations, because sometimes they just rotate instruments.)

Some of the Woodsist bands are outstanding and several (Wavves, Woods, Crystal Stilts, Little Girls, etc.) number among my recent favorites, but with such a closed circle, it seems like the musicians and the small movement they've created is hurtling towards an artistic dead end. The festival was the culmination of a year and a half of well-deserved success, but seeing so many of the bands play in short succession was just watching them paint themselves into a corner.

Anyway...

The first band I caught was the Mayfair Sect, the debut of a collaboration between Kristen Gundred, the sole member of Dum Dum Girls, and Mike Sniper, the sole member of Blank Dogs - joined by members of Woods to round out the live band. Since Sniper also joined Gundred for the (also first-ever) Dum Dum Girls set on Saturday, the whole thing seemed a bit redundant. But in any case, Gundred has a powerful voice, one of the best of the festival, and Sniper's baritone is not far behind. The songs and performance were solid, but unremarkable - it seems like we've heard this all before.

Little Girls followed, a band "Jasper" recently recommended. Having seen them live, I can stand behind that recommendation even more confidently. The sound in Market Hotel was awful, and almost every band of the night sounded off-key. Little Girls were no exception, but their performance was far less aloof than many of the other bands and the dark tints in their music set them apart from the pack.

Similarly unaloof, Cause Co-Motion! gave an outstanding performance, tearing it up (literally, tearing up some of the stage's paper decorations) and jumping around like fourteen-year-old hardcore punks. However, the venue's poor sound, combined with the band's decision to deliver their songs in extra fast, extra messy punk fashion, ruined the set. I like extra fast and extra messy, but CCM aren't a punk band, they're a lo-fi pop band, and with their melodies falling flat, there was little to listen to. I had fun watching, but my ears were just plain bored.

I was glad to finally catch Psychedelic Horseshit, a band that's managed to generate some publicity simply by being arrogant and rude. Not all that surprisingly, the music sucked. The band seems out to destroy, and while I'm all about destruction, the secret truth is that you've got to do more than tear things down. No harmonies, no melodies, no songs, nothing but vocal snarls, guitar noise and primal drums. The most interesting part of the music were some dual rhythms with no apparent alignment; that was pretty cool, but the novelty did wear off eventually. I found it difficult to listen to the rest, which lacked bass or any low-register notes besides the bass drum. I do have some respect for the band and their willingness to negate everything. Still, making ugly noise to piss people off isn't exactly original.

Though I didn't like Blank Dogs last time I caught them live, their recorded material has really grown on me over the last few months, and I was excited to give the band another chance. Unfortunately, I still didn't like what I saw. If Sniper surrounded himself with other musicians who shared his dark vision, Blank Dogs could be a great live act. However, those who joined Sniper on stage didn't seem hip to his music's murky, gothic undertow. The band played as though they were playing with any other Woodsist band, confusing and obscuring the elements that make Blank Dogs unique.

Headliners Crystal Stilts delivered the most energetic performance I've seen from them to date - though that's not really saying much. They did do far better than the rest of the day's bands (Mayfair Sect possibly excepted) in overcoming the acoustic difficulties - their melodies were clear and in tune and their instruments distinct and balanced.

Despite a few changes (drummer Frankie Rose finally sitting down, for one), the band is doing pretty much what they have been, and their songs still sound disappointingly alike. A few of their more uptempo songs stood out in the set and the rest were at least enjoyable. It was nice to see the band finally having some fun too, dropping their detached posturing and really playing a heartfelt show for a room full of friends.

Live: Vaselines, A Place To Bury Strangers + more

TODAY! Monday, May 18

The Vaselines @ Music Hall of Williamsburg | Williamsburg, Brooklyn | SOLD OUT
If you're not already aware of the Vaselines reunion, you gotta get with the picture! This classic indie pop group, highly touted by Kurt Cobain (according to Wikipedia, he named his daughter after one of the band's founders), will be gracing New York for the first time since in like 20 years. (OK, yeah, they also played at Bowery last night. Sorry I didn't give you all a heads-up.). If you put your mind to it, I'm sure you can find some tickets.


Wednesday, May 20

Psychedelic Horseshit, Sisters @ Union Pool | Williamsburg, Brooklyn | $7
I have yet to catch Psychedelic Horseshit live, but they are rumoured to be good and pretty much sound like their name would imply - ultra-lo-fi pop-psych. I enjoyed Sisters last time I heard them, and since getting their album, I'm liking them more and more. Definitely don't miss this. [PH MySpace] [Sisters MySpace]


Thursday, May 21

Pterodactyl, These Are Powers @ Glasslands | Williamsburg, Brooklyn | FREE!
Pterodactyl are my new favorite NYC band. I liked their last show, I like their new album, and in general, I think they are brilliant and one of the more original groups in Brooklyn these days. I don't know nothin' about These Are Powers, but "Jasper" says they are noisy and good, and I'd believe that. [Ptero MySpace] [TAP MySpace]


Friday, May 22

Crocodiles @ Studio B | Greenpoint, Brooklyn | FREE!
Crocodiles are the latest shit out of Sand Diego. Despite their frequent claims to the contrary, they do sound just like the Jesus & Mary Chain. But that's cool. RSVP to tuxwithchucks@dt-mag.com if you wanna go. Which you do. (Thanks Brooklyn Vegan!) [MySpace]


Saturday, May 23

Holy Fuck, A Place to Bury Strangers, Crocodiles @ Bowery Ballroom | LES, Manhattan | $15
Do I really have to explain why this is amazing? Holy Fuck play the kind of electronic music that's amazing to watch live. APTBS makes some of the loudest, heaviest guitar sound around - shoegaze/psych/noise rock that feels like getting crushed by a brick wall. (That's a compliment.) Crocodiles, well, I just told you about them in the paragraph above. To get all three of these bands in one night is well worth $15. [HF MySpace] [APTBS MySpace] [Crocs MySpace]

Upcoming Shows: Oneida, Calvin Johnson + more

TODAY, Tuesday, April 21

Gracefully, I Feel Tractor @ Zebulon || Williamsburg, Brooklyn
Gracefully (fka So L'il) plays some very tripped out dream pop that, last I saw, was more agressive and uptempo live than recorded. It's crazy music with good melodies and lotsa NOISE. As for I Feel Tractor, I actually haven't heard the guy, but I've been curious for a while just because of the cool band name. [Gracefully MySpace] | [Tractor MySpace]


TOMORROW, Wednesday, April 22

Shilpa Ray and Depreciation Guild @ Bell House | Gowanus, Brooklyn | $10
If ever there was a show worth the crazy trek to Bell House in middle-of-nowhere Brooklyn, this is it. I've written two live reviews of Shilpa, one in December and one in March. Depreciation Guild haven't got much in common with her musically, but they are just about as awesome. Heavy electro-shoegazers, these guys get mile-think walls of sound out of their guitars. Two great bands for ten bucks? C'mon. [Shilpa MySpace] | [DG MySpace]

Psychedelic Horseshit, Drink Up Buttercup @ Santos Party House | Chinatown, Manhattan | $10
These two bands aren't headlining, but they are still hot shit. Psychedelic Horseshit sounds kind of like the name would imply. It's messy and loud, but with a definite pop sensibility lurking somewhere underneath the racket. Drink Up Buttercup is a more straight-forward psychedelic pop that's far less cutting edge and rather more annoying. But some folks like em. [PH MySpace] | [DUB MySpace]


Thursaday, April 23

IfWhen @ Fontana's | Chinatown, Manhattan | $7
IfWhen represents the avant-garde of the shoegaze world, something I like to call "no-gaze." It basically sounds like all of them are playing the different songs. Normally, I'm not so into the highly experimental, but there's something amazing, original and beautiful about IfWhen's music. I think they play early. Also, bring earplugs. [MySpace]


Friday, April 24

Beluga @ Cameo | Williamsburg, Brooklyn | $7
Lady punks return to Cameo. It will undoubtedly be a lot like last time, only better. [MySpace]


Saturday, April 25

How to choose...???

Oneida @ Monster Island Basement | Williamsburg, Brooklyn
Oneida play a loud-ass fusion of punk and krautrock. They could be compared to Suicide from their tight rhythms and repetition, but they're more guitar driven like that. More like Iggy Pop covering Kraftwerk. Anyway, they've been a New York City classic for years. [MySpace]

Ponytail, Real Estate @ Music Hall of Williamsburg | Williamsburg, Brooklyn |
Ponytail are loud and manic, highly experimental and an outstanding live show. They made my Best of 2008 list. Real Estate are rumoured to be the shit. [Ponytail MySpace] | [RE MySpace]

Ceremony, Screen Vinyl Image and Soren Well @ Cameo | Williamsburg, Brooklyn | $13 adv / $15 door
Three of the best electro-shoegaze bands around, with dense guitar and synth sounds, tight beats and haunting vocals. Soren Well is the most pop-accessible/happy of the bunch, while the other two - both in from out of town - have a darker side. [Ceremony MySpace] | [SVI MySpace] | [Soren Well MySpace]


Sunday, April 26

Calvin Johnson @ Market Hotel | Bushwick, Brooklyn
The original ringleader of American indie pop, founder of Beat Happing and K Records, Calvin Johnson is a character and he's got a legacy that makes it worth checking him out.

Spectrum @ Mercury | LES, Manhattan | S10 adv / $12
The main thrill of seeing Spectrum perform live is to see whether Pete Kember (aka "Sonic Boom") will finally kick off midshow. Formerly of Spacemen 3, Kember parted ways with bandmate Jason Pierce when Pierce decided to go clean-and-sober and found Spiritualized. Kember didn't kick his bad habits and despite making some valuable musical contributions with Experimental Audio Research, he's too strung out to make much sense at all anymore. Still, he's got a certain amount of cred and history to him - just don't expect coherence. [MySpace]