Album: Brilliant Colors - Introducing

Album: Introducing
Slumberland, 2009
Rating: ****** (6/10)

I have to say, the new album from Brilliant Colors, out today, was pretty disappointing. I'd heard a few promising songs and a few promising recommendations from other folks. Not that it's reasonable to expect much from a DIY, fuzzy indie pop band these days - you can hardly throw a rock without hitting one (though why you wouldn't want to hit one with a rock is a mystery to me).

San Fransisco's all-female trio Brilliant Colors is a late-comer to the movement, and though it's clear they want to be sorta punk, they are a pretty far cry from their real punk counterparts. That's not a huge surprise - after all, this album is on the indie pop label Slumberland, not one of its its punkier sisters like Siltbreeze, Woodsist or In the Red. It's ok to not be punk, but here, the lack of aggression makes the album kind of bland. There's certainly no flares of joy or sadness, let alone anger or mania.

The album isn't bad, and if you're into fuzzy little pop songs, it's not a bad addition to your collection. Most of the songs are well-written. Still, I'd rank this well below the Manhattan Love Suicides' Burnt Out Landscapes or even Cause Co-Motion's It's Time!, both like-minded releases. The one thing that makes Brilliant Colors slightly distinct from such peers is that the vocals draw a little more from ROCK'N'ROLL, rather thank punk. Most indie pop uses the basic Ramones model for melodies, but Brilliant Colors let loose more aaaah-eeeiy-aaah's and oooohwee's. That's a minuscule detail, though, barely worth noting.

Although the songs are all pretty similar, there are a few highlights. The awkward oooh's in "I Searched" and uh-ow's in "Short Sleeves at Night" are endearing and "Absolutely Anything" is an especially charming indie earworm. Things get a little heavier midway through, starting "Mystic," the album's most in-your-face moment. "Motherland" has a little bit of punch to it, too. The closing track, "Should I Tell You" is pretty normal except that it periodically sounds like a Boeing is taking off in the background. I can't figure out if that's a good thing or not.

For fans of the genre, you'll find some nice songs on Introducing, but if you're looking for something artistic, edgy or fresh, you'd be wasting your time. We've heard this before, better, many times.

[MySpace]

Live: Woodsist Festival Recap (Day 1)

A couple of days at the Woodsist/Captured Tracks Festival is all it takes to illustrate how inbred the DIY scene truly is. There were so many members shared between bands that the event simply seems like a quick run-through of all the three-to-five person permutations possible with a dozen core members. (OK, math nerds, settle down. Permutations, not combinations, because sometimes they just rotate instruments.)

Some of the Woodsist bands are outstanding and several (Wavves, Woods, Crystal Stilts, Little Girls, etc.) number among my recent favorites, but with such a closed circle, it seems like the musicians and the small movement they've created is hurtling towards an artistic dead end. The festival was the culmination of a year and a half of well-deserved success, but seeing so many of the bands play in short succession was just watching them paint themselves into a corner.

Anyway...

The first band I caught was the Mayfair Sect, the debut of a collaboration between Kristen Gundred, the sole member of Dum Dum Girls, and Mike Sniper, the sole member of Blank Dogs - joined by members of Woods to round out the live band. Since Sniper also joined Gundred for the (also first-ever) Dum Dum Girls set on Saturday, the whole thing seemed a bit redundant. But in any case, Gundred has a powerful voice, one of the best of the festival, and Sniper's baritone is not far behind. The songs and performance were solid, but unremarkable - it seems like we've heard this all before.

Little Girls followed, a band "Jasper" recently recommended. Having seen them live, I can stand behind that recommendation even more confidently. The sound in Market Hotel was awful, and almost every band of the night sounded off-key. Little Girls were no exception, but their performance was far less aloof than many of the other bands and the dark tints in their music set them apart from the pack.

Similarly unaloof, Cause Co-Motion! gave an outstanding performance, tearing it up (literally, tearing up some of the stage's paper decorations) and jumping around like fourteen-year-old hardcore punks. However, the venue's poor sound, combined with the band's decision to deliver their songs in extra fast, extra messy punk fashion, ruined the set. I like extra fast and extra messy, but CCM aren't a punk band, they're a lo-fi pop band, and with their melodies falling flat, there was little to listen to. I had fun watching, but my ears were just plain bored.

I was glad to finally catch Psychedelic Horseshit, a band that's managed to generate some publicity simply by being arrogant and rude. Not all that surprisingly, the music sucked. The band seems out to destroy, and while I'm all about destruction, the secret truth is that you've got to do more than tear things down. No harmonies, no melodies, no songs, nothing but vocal snarls, guitar noise and primal drums. The most interesting part of the music were some dual rhythms with no apparent alignment; that was pretty cool, but the novelty did wear off eventually. I found it difficult to listen to the rest, which lacked bass or any low-register notes besides the bass drum. I do have some respect for the band and their willingness to negate everything. Still, making ugly noise to piss people off isn't exactly original.

Though I didn't like Blank Dogs last time I caught them live, their recorded material has really grown on me over the last few months, and I was excited to give the band another chance. Unfortunately, I still didn't like what I saw. If Sniper surrounded himself with other musicians who shared his dark vision, Blank Dogs could be a great live act. However, those who joined Sniper on stage didn't seem hip to his music's murky, gothic undertow. The band played as though they were playing with any other Woodsist band, confusing and obscuring the elements that make Blank Dogs unique.

Headliners Crystal Stilts delivered the most energetic performance I've seen from them to date - though that's not really saying much. They did do far better than the rest of the day's bands (Mayfair Sect possibly excepted) in overcoming the acoustic difficulties - their melodies were clear and in tune and their instruments distinct and balanced.

Despite a few changes (drummer Frankie Rose finally sitting down, for one), the band is doing pretty much what they have been, and their songs still sound disappointingly alike. A few of their more uptempo songs stood out in the set and the rest were at least enjoyable. It was nice to see the band finally having some fun too, dropping their detached posturing and really playing a heartfelt show for a room full of friends.

Upcoming Shows: Woodsist Festival, Germs + more

Wednesday, July 1

Jay Reatard @ Stuyvesant Oval | StuyTown, East Village, Manhattan | FREE
Punk/lo-fi master Jay Reatard has written so many mess little pop songs in the last few years it's hard to keep up. You should go to this show. But be advised it starts on the early side (officially 6 PM, though my guess is Jay goes on at 8 PM). TV Smith (see below) might be opening, that is not clear. [MySpace]

Hunters @ Cake Shop | LES, Manhattan | $6
I really liked Hunters last time I saw them. Aggressive, arty punk music that's surprisingly free of cliche. [MySpace]


Thursday, July 2

Jay Reatard, TV Smith (ex-Adverts) @ Music Hall of Williamsburg | Williamsburg, Brooklyn | $15
Well, I just told you about Jay Reatard (see above). TV Smith was one of the key founders of British punk. His band, the Adverts, were contemporaries of the Sex Pistols and certainly have a place alongside the Clash, X-Ray Spex, the Buzzcocks and a handful of others in the pantheon of pioneering English punks. [JR MySpace] [TVS MySpace]

Germs @ Mercury Lounge | LES, Manhattan | $14 adv/$16 doors
This week is Independence Day, so perhaps it's better not to support old British punks like TV Smith. A more patriotic option is to check out the Germs, one of LA's original punk bands, contemporaries of bands like X and Black Flag. The reunited Germs, however, are missing founder and singer Darby Crash, who committed suicide in 1980, at age 22. [MySpace]


Friday, July 3

Sonic Youth @ United Palace | Washington Heights, Manhattan | $38-$45
I don't think you should pay this much to see Sonic Youth. But if you really wanna...

Grooms @ Bruar Falls | Williamsburg, Brooklyn | $7
Grooms, fka Muggabears, are pretty awesome gloomy-but-melodic post punk. They follow the American tradition, sounding far more like Sonic Youth than Joy Division. They are one of NYC's best. [MySpace]

Woodsist/Captured Tracks Festival @ 979 Broadway Backyard | Bushwick, Brooklyn| $15
+ Crystal Stilts - Despite being lazy and self-entitled, this band sounds like Joy Division and I love their music. Like Joy Division, there are a lot of understated riffs in the bass line with repeating guitar over the top and morose, baritone vocals. [MySpace]
+ Blank Dogs - This lo-fi goth didn't impress me last time I saw it live, but I've become increasingly impressed by the recorded material. I'm hoping the show I saw live was just a fluke and that they will actually be awesome. [MySpace]
+ Psychedelic Horseshit - Not a personal favorite, due to their pretentiousness, but they have some merit, for sure. Their name describes their sound better than I could. [MySpace]
+ CAUSE co-MOTION! - C-86 revival with brilliant lo-fi pop numbers under two minutes. [MySpace]
+ Little Girls - Highly recommended. [MySpace]
+ more


Saturday, July 4

Woodsist/Captured Tracks Festival @ 979 Broadway Backyard | Bushwick, Brooklyn| $15
+ Thee Oh Sees - Shamefully, I'm not that familiar with this band's music, but they are considered to be one of the best of the recent noise punk movement. I have high hopes. [MySpace]
+ Vivian Girls - Yawwwwwn. This set will be a good time to go grab a bite. [MySpace]
+ Kurt Vile - Lo-fi folkster and recent signee to Matador. [MySpace]
+ Woods - One of the best bands around. Haunting psychedelic folk that I've written loads about already. [MySpace]
+ Tyvek - Awesome punks from Detroit. I liked them last I saw them. [MySpace]
+ Dum Dum Girls - These guys are a somewhat less boring version of the Vivian Girls. [MySpace]
+ Fresh & Onlys - Another band I have heard great things about but haven't had a chance to listen to properly yet. All I know is that they are psychedelic and people like them. [MySpace]
+ more

Frankie Rose, Fresh & Onlys, Pink Reason, Babies (members of Woods, Vivian Girls) @ Market Hotel | Bushwick, Brooklyn | $5 with Woodsist stamp / $8
Frankie Rose is the drummer of Crystal Stilts. I don't know what she does solo. Hopefully not just pound on a floor tom. Fresh & Onlys I described above. This show starts at midnight, well after the end of the Woodsist festival.


Monday, July 6

Peter Murphy @ Highline Ballroom | Chelsea, Manhattan | $35
Pete Murphy is the original goth, the frontman of Bauhaus.


Tuesday, July 7

Peter Murphy @ Highline Ballroom | Chelsea, Manhattan | $35
See above.

Upcoming Shows: New York Dolls, Secret Machines + more

Sorry for the absence and generally being flaky on the blog recently. Regular posts will resume after this weekend's show.


TONIGHT - Wednesday, June 17

Jonathan Richman @ Bowery Ballroom | LES, Manhattan | $15
Jonathan Richman is the guy from the Modern Lovers. If you don't know the Modern Lovers, I'd describe them as an unpretentious version of the Velvet Underground. Richman was indie before there was indie, he was straight-edge before there was straight-edge, he was twee before there was twee. In other words, he's one of the great innovators in American pop and has been for about 40 years. [MySpace]


TOMORROW - Thursday, June 18

Twee As Fuck: The Pains of Being Pure at Heart, Cause Co-Motion!, Crystal Stilts @ Cake Shop | LES, Manhattan | $10 / $8 (students)
Nevermind that only one of these bands (The Pains) could remotely be called twee, this is an amazing line-up. And the bands will probably be on the ball, given how often they've played Cake Shop and how much they love the place. The downside is that it's going to be crammed full, wall to wall, with indie pop kids, and you undoubtedly won't be able to move or see anything. So, I'd personally stay home, but if big crowds in small rooms are your thing, you couldn't choose a better set of bands. [Pains MySpace] | [CCM MySpace] | [CS MySpace]


Friday, June 19

Secret Machines, A Place to Bury Strangers @ Santos Party House | Chinatown, Manhattan | $10
Secret Machines are shoegaze-inspired wash-ups trying to make a comeback after the decline of a middling career that saw them flicker on the Billboard 200 in 2006. The band is kind of past its prime, but they're still better than most of what's out there. And APTBS are just fucking amazing. Ten bucks for both? Don't think twice. [SM MySpace] | [MySpace]


Saturday, June 20

Radio Flyer Review Presents: New York No-Gaze - 28 Degrees Taurus, Ifwhen, Gracefully @ 255 McKibben St. | Bushwick, Brooklyn | $5-8 suggested donation
I picked these bands because I think they are amazing and I really admire what they do. They all play experimental, uncompromising shoegaze-influenced music. And they're all great live acts. Booking them for my first RFR Presents show is the highest recommendation I could give. [28DT MySpace] | [Ifwhen MySpace] | [Gracefully MySpace]


Monday, June 22

The New York Dolls @ Music Hall of Williamsburg | Williamsburg, Brooklyn | $32.50
If any pre-punk band was directly responsible for the rise of New York punk, this was it. Though still glammy hard rock, the Dolls raw music and image were one of the most important influences on the inventors of punk proper on both sides of the Atlantic. Without them, there may have been no Ramones, no Richard Hell, no Sex Pistols, at least not as we know them. And the recently reunited Dolls aren't getting any younger, so pay up and get your ass to MHOW on Monday or live a life of shame and regret.

Upcoming Shows: X, A Place To Bury Strangers + more

TONIGHT! Wednesday, May 27

A Place to Bury Strangers, Shilpa Ray, Sisters, Coin Under Tongue @ Pianos | LES, Manhattan | $10
If this isn't the best NYC line-up imaginable, I don't know what is. Four bands associated with the always-excellent Death By Audio family = delicious. Sisters sound like Sonic Youth at their most minimalist-punk. Coin Under Tongue I haven't heard, but it's ex-Dirty On Purpose, so you know it's good. Shilpa, well, I've already explained that. And APTBS, well, one of the loudest bands you ever hear. Not to mention one of the best. [Sisters MySpace] [Shilpa MySpace] [APTBS MySpace]


TOMORROW! Thursday, May 28

Tyvek, Cause Co-Motion! @ Monster Island Basement | Williamsburg, Brooklyn | $7
Tyvek are rad punks from the Midwest. When I saw them at Death By Audio, they kicked serious ass. Cause Co-Motion! are lo-fi C-86-style pop, friends and labelmates of the Pains of Being Pure at Heart and Crystal Stilts. Don't miss. [Tyvek MySpace] [CCM MySpace]


Friday, May 29

Beluga, Wild Yaks @ Monster Island Basement | Williamsburg, Brooklyn | $8
I'm sick of describing Beluga and how much I love them. Super awesome lady punks who scream and rock out and put on a hell of a show. Check out my last review of them. Wild Yaks are one of those names I've heard, and I have a friend who really loves yaks, the species, so that seems like a good reason to catch this band too. [Beluga MySpace] [Wild Yaks MySpace]

A.R.E. Weapons @ Webster Hall Studio | East Village, Manhattan | $10
A.R.E. Weapons may have a disappointing recorded legacy, but their live show is unbeatable. Their massive electronics and noise sound like Suicide - dissonant, heavy and noisy, yet focused. They play with a rare chemistry, their improvised parts weaving together in nigh-perfection. This is the shit. [MySpace]


Saturday, May 30

X @ Bowery Ballroom | LES, Manhattan | SOLD OUT
One of the finest of L.A.'s original punk movement, X helped define second-wave American punk (aka hardcore) in the late 70's and early 80's. They gradually moved towards accessibility, but never sold out their edge. Though never as aggressive as southern California's hardest core (Henry Rollins's Black Flag, Fear, etc.), X were and remain badass and bold. [Website]


Sunday, May 31

X @ Bowery Ballroom | LES, Manhattan | $27
Same as the above. Only difference: this show hasn't sold out yet. [Website]


Monday, June 1

Grant Hart @ Bell House | Gowanus, Brooklyn | $10
Ex-Husker Du, Grant Hart was the "hippie" of the group. His songs for Husker had a folksy leaning, and his solo work only takes him further down this path. Frankly, anyone who played in Husker Du (which is only three people ever) deserves everyone's undying respect. It's as simple as that. [MySpace]

Upcoming Shows: Wavves, Shilpa Ray, The Pains + more

Thursday, February 5

Shilpa Ray and Her Happy Hookers + the Soundscapes @ Le Poisson Rouge - West Village, Manhattan - $13
Thirteen bucks is a lot, so you may want to hold out and catch these bands at a later time for less (both have more NYC shows coming up). But I thought I'd mention it because if you've got the money, this will undoubtedly be the coolest place to be this Thursday night. You can read my last review of Shilpa here and my last review of the Soundscapes here. :: Shilpa Ray MySpace :: Soundscapes MySpace

Friday, February 6

Wavves @ The Market Hotel - Williamsburg, Brooklyn
WAVVES is the project of Nathan Williams, who is some kid from California who doesn't give a fuck that it's 2009. It could just as well be 1979 or 1989 or 2029, his music is timeless and it's what rock music should be. He plays something you could call noise-punk or noise-surf, massively distorted numbers with classic short pop songs buried somewhere beneath the fuzz. He also throws in some electronic-ish experimental songs to round things out. His last release made my top five records of 2008. :: MySpace

Saturday, February 7

The Pains of Being Pure at Heart + Depreciation Guild, Cause Co-Motion! and Zaza @ Mercury Lounge - LES, Manhattan - $10
The Pains of Being Pure at Heart is a tweegaze band and they are putting out a record tomorrow. I already reviewed it for you here. Depreciation Guild is a wonderful shoegaze band (and cute boys to boot). My last live review of them is here. Cause Co-Motion are a somewhat overrated but still highly enjoyable noise-pop band who play a lot of songs clocking in under two minutes. Zaza is an electronic duo that sounds like Suicide. My last live review of them is here. :: The Pains MySpace :: Depreciation Guild MySpace :: CCM! MySpace :: Zaza MySpace