Upcoming Shows: Sonic Youth, the Pixies + more

[Upcoming Shows Playlist]
TONIGHT! Wednesday, November 18

Big Star @ Brooklyn Masonic Temple | Fort Greene, Brooklyn | SOLD OUT!
If you don't already have tickets to this, you're unlikely to find anything. It looks like upwards of 95% of the posts are craigslist are "tickets wanted." So I put this here mostly to cheer you (ok, myself) up - Big Star, though one of the greatest bands of all time, is really just 60-year-old Alex Chilton. Co-leader Chris Bell died over three decades ago and bassist Andy Hummel (who wrote a song or two, I think) is not involved. Jody Stephens is still on drums, but frankly, who has even noticed him back there? On the other hand, if you have tickets, AWESOME. One of the best bands of ever.

Papa M @ Knitting Factory | Williamsburg, Brooklyn | $12
Papa M is David Pajo, who probably has the most impressive resume of anyone from the late 80's/early 90's hardcore/post-hardcore/math-rock/post-rock/experimental scene (tied with former classmate David Grubbs). A member of Slint, Tortoise, the For Carnation and Dead Child (and less impressively, Zwan), Pajo has also played with Stereolab, the Yeah Yeah Yeahs, Will Oldham (Bonnie "Prince" Billy) and others. I don't think any of that means anything to non-indie-geeks, or even indie geeks who aren't pretty old school. But what it all adds up to is that Pajo is one of the most highly respected and influential guitarists of American indie rock's golden age. His style of playing is eerie, dark and distant, with unsettling rhythmic irregularities. It's experimental and sometimes very minimal, but an educated listener will pick up on the sound's faraway roots in hardcore punk. You know what, forget all that, it's just fucking weird, good music. Go see it. [MySpace]


Thursday, November 19

True Womanhood @ Cameo Gallery | Williamsburg, Brooklyn
True Womanhood sound eerie and rhythmically complex like Radiohead. The bass is slammin, the drums are fascinating and the guitar is off in outerspace making noises that could give you bad dreams. [MySpace]


Saturday, November 21

The Beets, She Keeps Bees @ Death By Audio | Williamsburg, Brooklyn
The Beets are a much-beloved garage back band. She Keeps Bees are a blues band disguised as an indie rock band. They both write good songs. You will like both of them. [Beats MySpace] [SKB MySpace]


Sunday, November 22

Talib Kweli @ Brooklyn Bowl | Williamsburg, Brooklyn | $10
Talib Kweli is one of the most universally respected rappers on the planet. His music is smart and thoughtful, but hardhitting. This show costs $10. What's the catch?? [MySpace]


Monday, November 23

The Pixies @ Hammerstein Ballroom | Midtown, Manhattan | $48
The Pixies are performing their classic album Doolittle a bunch of nights in a row. Personally, I wouldn't pay $50 for this, but I've already heard them play all of Doolittle live (except for, by lucky chance, the few songs on the album I don't like), plus at least half of Surfer Rosa and the best from Bossanova and Trompe Le Monde, all on one glorious night at the Pixies birthplace, the University of Massachusetts. What I'm trying to say is, this is a lot of money, Doolittle is a short album, and you'll have other chances to hear the band. However, this is about the experience of hearing Doolittle live, so if you happen to have an extra $50 lying around, it would be well enough spent on this. If not, don't cry, the Pixies don't seem to be ending their reunion any time soon. Oh, if you don't know who the Pixies are, they are one of the most important indie rock bands of the late 80's and early 90's and influenced the hell out of everyone, like Nirvana and Weezer. They basically play the kind of pop songs you'd expect a mental patient to write. Which is pretty much what they are. HOTT.


Tuesday, November 24

Sonic Youth @ Music Hall of Williamsburg | Williamsburg, Broklyn | SOLD OUT!
I'm pretty sure Dino Jr and Cold Cave were on this bill when I bought my ticket, and now it's just Talk Normal, who are weird hyper-experimental stuff that's good but no Dino Jr. Anyway, the point is that it's Sonic Youth, the band that brought art rock and noise to millions. One of the most improbable stories in rock history, Sonic Youth's odd, discordant guitar noise and abrasive, abstract vocals got them signed to a major label for two decades of their three-decade career. After returning to the indie world earlier this year, Sonic Youth are still going strong, still pushing boundaries and rocking out hard on stage, just with grayer hair. Thurston Moore still seems like a lanky, hyperactive kid. Yeahhhh.

The Pixies at Hammerstein Ballroom | Midtown, Manhattan | $48
Same deal. (No pun intended!)

[Upcoming Shows Playlist]
The long view...

November
25
Meat Puppets @ Bowery Ballroom
Screaming Females @ Bellhouse
The Pixies @ Hammerstein Ballroom
Sonic Youth @ Music Hall of Williamsburg
what a night!!!

27
Fuck Buttons + Growing @ Market Hotel


December
2
The Mountain Goats @ Bell House

3
Wye Oak @ Bell House

4
Radio Flyer Review presents Shellshag, Sisters, Big Troubles & the Sundelles @ Monster Island Basement!!!!!!

13
Blank Dogs + Silk Flowers @ Monster Island Basement

14
The Slits + Sisters @ Highline Ballroom

17
The For Carnation @ Knitting Factory

[Upcoming Shows Playlist]

Dust It Off: Big Star - #1 Record/Radio City

Album: #1 Record/Radio City
Fantasy, 1992
Recording Date: 1972-1973

Mention Big Star in a room of musicians and most will probably know exactly who you're talking about - and could even name the band members and more than a few songs. But outside of the world of indie rock and rock criticism, you'll get blank stares far more often than not. And it's not that Big Star's music requires a great spirit of adventure or high level of technical understanding to appreciate - in fact, it's some of the most straightforward pop of its era.

No, Big Star were one of many victims of bad luck and poor marketing, and their albums simply never sold. But those who were in the habit of seeking out under-the-radar music found the album and it changed the course of rock history. A list of bands that include Big Star as a key influence would be too long to attempt, but it would certainly include the likes of R.E.M., Wilco, the Cars, the Smashing Pumpkins, Teenage Fanclub, Cheap Trick -- well, you get the idea.

As one of the first "power pop" bands, Big Star drew songwriting influences from the Beatles, the Byrds and the Beach Boys, but carried out these ideas with a mindset taken directly from arena rock - though Big Star may never have filled an arena, they played as though they were born in one. Even the most subdued, acoustic numbers sound like they were not only meant for the big stage but actually create the illusion of a big stage wherever they're played.

The band's first two albums, #1 Record (1972) and Radio City (1974), were combined into a single release by Stax in 1978, but the version most commonly found is the joint release first issued in 1992 by Fantasy Records. In any case, this double LP offers well over an hour of consistently excellent songs, ranging from the wistful "Ballad of el Goodo" and the simple, finger-picked folk of "Thirteen" to the guitar-rock arena-screamer "Don't Lie to Me" and the pure radio pop of "September Gurls."

Listening to Big Star, it's obvious how they became such an icon in the history of indie rock. Though their melodies were as good (no, better) than any charting band of their time, they also displayed an edgy, noisy experimentalism. "The India Song" has an arrangement that's just plain bizarre, while the unpolished aggression of "O My Soul" is far grittier than most 1974 rock. Warm ringing guitars and sweet tunes are impossible to separate from the album's dark side. The band sounds out of their time, not ahead of it, but they predict indie and alternative rock - a world where the 1960's models of radio pop, large-scale rock and arty psychedelia were reconfigured to accommodate a more versatile, more honest weapon.

It's hard to imagine what indie rock would look like if it hadn't had Big Star as a root. The good news is, we don't have to.

Radio Flyer's Desert Island List

I've been working really hard over the last few weeks to get caught up on all the notable music of 2008 so I can give you a kick-ass Best of 2008 list (oh, do I love lists!) but I have a lot I still need to get through. So, to speed things along, I cleared everything off my 4GB iPod, and filled it with all the 2008 albums I have. I had 1 GB left over and a few minutes to fill it with all of the "old" music I didn't want to leave home without.

And after I finished, I realized I had essentially created my "desert island" list, the music I would take into exile with me if I were only allowed 1 GB (how 21st century is that?!) for the rest of my life. And I think the list is rather different than what it would have been if I had been consciously creating a "desert island" list for others to read. Here's what made the cut:

- Electrelane - The Power Out, The Greater Times
- Guided by Voices - Bee Thousand, Alien Lanes
- Joy Division - Unknown Pleasures and thirteen miscellaneous songs
- My Bloody Valentine - Loveless, Tremolo
- Neutral Milk Hotel - In The Aeroplane Over the Sea and seven miscellaneous songs
- The Pixies - Come On Pilgrim, Doolittle, and eight songs from Surfer Rosa
- Skip James - four miscellaneous songs
- Slint - three songs from Spiderland
- The Smashing Pumpkins - Siamese Dream and fifteen songs from Mellon Collie and the Infinite Sadness
- Sonic Youth - twenty miscellaneous songs
- Stone Roses - "Don't Stop" and "I Am The Resurrection"
- The Stooges - four miscellaneous songs
- Walt Mink - twenty miscellaneous songs
- Yo La Tengo - thirteen miscellaneous songs

I'm pretty surprised at some of the things on there, like Stone Roses and Yo La Tengo, and I'm also surprised I'm now OK leaving home without the Velvet Underground.

If I had time to weed some of the dud songs out of that list to make more room (or if I actually got 1.2 GB on my desert island), here's what would have been next:

- Big Star - fifteen miscellaneous songs
- Company Flow - six songs from Funcrusher Plus
- Echo & the Bunnymen - "Thorn of Crowns"
- Jawbreaker - nine miscellaneous songs
- Mercury Rev - "Meth of a Rockette's Kick" and "Coney Island Cyclone"
- Minor Threat - three miscellaneous songs
- Mississippi John Hurt - three miscellaneous songs
- Nick Drake - "Road" and "Which Will"
- Ride - "Leave Them All Behind"
- The Velvet Underground - three songs from The Velvet Underground and Nico

Well, there you have it.