When: April 29
Where: Silent Barn
Another very tardy live review (and now several days more tardy thanks to Blogger's disappearing act last week). There was a showcase of sorts for Shellshag's Starcleaner Records at Silent Barn a couple of weeks ago. Shellshag canceled their own set at the last minute, but the rest of the bands were plenty to carry the show.
Landlords had played energetic punk that was just a bit country-influenced. Honestly, I don't have that much to say about it (I know!). It was very enjoyable.
Future Virgins were even better. They started their set at full tilt and hit that perfect balance of hardcore and pop (perfect balance is not the same as an equal balance - they are way more hardcore than pop). They were tight, they were aggressive and they were fun. This is one of the best punk bands I've seen in a long time. They're fairly traditional, but they've got their own voice
Of course, the highlight of the night was Songs for Moms, a trio of ladies from California. They've got this feminist cow punk thing going on that, while maybe not musically revolutionary, sounds very fresh. There is a country twang in all of their songs, but the cues they take from country are the genre's greatest strengths, often overlooked by rockists who like "everything except country." Country music has a long history of powerful women with powerful voices and it's an appropriate reference point for the tough wail of SFM's two frontwomen.
The band is more punk than country, though. Their songs are loud, aggressive and often shouted. There's a lot of anger in their music (several songs are about the band's personal experiences with rape and sexual assault) but also a lot of compassion and depth. Their lyrics on their album We Used To Believe In the West are some of the best I've heard in recent years - courageous, personal, insightful, simple yet oblique enough to leave them open to interpretation.
The band is tight. Although their music is purposefully simple - SFM don't need any trickery - their arrangements are deceptively difficult. The band has an exceptional ear for songwriting and arrangement, with instruments dropping in and out, answering back to the vocals, breaking into split seconds of silence, cutting or doubling tempos and cutting through some breakneck licks without ever making a big deal of it. Their melodies are also consistently excellent, very catchy but still interesting.
My only disappointment with the show is just that the band didn't play many songs off We Used to Believe. I love that album and there's not a song on there I wouldn't like to hear live. But the band hit a few of them and their other songs, both older and newer, were of equal caliber.
Songs For Moms aren't cutting edge in sonic experimentation or anything like that - that's not what they're about. They're about seeing how they can carve a space for a new voice using traditional country and punk frameworks. And while they aren't off exploring music's frontiers, they don't sound quite like anyone else I've ever heard. They are a group of rare talent and rare heart. [myspace]
##
Showing posts with label Songs for Moms. Show all posts
Showing posts with label Songs for Moms. Show all posts
Monday, May 16, 2011
Thursday, April 28, 2011
Upcoming Shows: Songs for Moms, Gang Gang Dance + more
Tonight!! Thursday, April 28
Lightning Bolt, Pterodactyl @ Le Poisson Rouge * Greenwich Village, Manhattan * $12 adv / $14 dos
Both of these bands are named after cool things from the sky. There are two people in Lightning Bolt and they are both named Brian. One Brian plays a heavily distorted bass guitar very very very very fast and very very very very loud. The other Brian plays the drums very very very very very very very fast and yells into a mic that he has in his mouth. Pterodactyl are not as heavy, but have just as much energy as Lightning Bolt - their manic noise rock is chaotic but tight. They are one of Brooklyn's best and most unrated bands. [lightning myspace] [ptero myspace]
Other shows
Woods (otherworldly psych-folk) @ 285 Kent ($10)
Grooms (Sonic Youth-y post punk, not headlining) @ Santos Party House ($12)
Tomorrow!! Friday, April 29
Shellshag, Songs for Moms, Landlord @ Silent Barn * Ridgewood, Queens
Shellshag are basically mom and dad to the young Brooklyn pop-punk scene. They have fun and you will too. More importantly, Songs for Moms are playing - they are from California and not exactly frequent tourers, so this is not to be missed. Their album I Used to Believe in the West was #12 on my best of 2009 list. They are three ladies who play country-tinged punk, but in such a good way, you can't even believe it. [shellshag myspace] [moms myspace]
Other shows
...and You Will Know Us by the Trail of Dead @ Bowery Ballroom ($20)
Saturday, April 30
Titus Andronicus, Dinowalrus @ Music Hall of Williamsburg * Williamsburg, Brooklyn * SOLD OUT
Titus Andronicus are a band from New Jersey who play music that evolved from hardcore punk, but tends to be epic, emotive rants about history and moral struggle. But they rock so hard and mean it so truly that their music never gets weighed down by the size of the emotions and issues their songs tackle. Dinowalrus are psychedelic as fuck, and very good. [titus myspace] [dino myspace]
Other shows
Japanther @ Brooklyn Fireproof East ($10)
Wednesday, May 4
Gang Gang Dance @ Music Hall of Williamsburg * Williamsburg, Brooklyn
Gang Gang Dance are too cool for words. They are an experimental dub group from Brooklyn whose music is steeped in hip hop, dub and a thousand rhythmic styles from Asia, Africa, Latin America and the Middle East. But they aren't some cheesy world-fusion bullshit, their music is dark, primal and truly their own. Their frontwoman, who goes by "The LZA" (how cool is that?), is totally wack. [myspace]
Other shows
Fiery Furnaces (Bluesy pop by WACK bro and sis duo) @ Rockwood Music Hall ($20)
Pterodactyl (see above) @ Silent Barn ($8)
The long view...
May
5
Thermals, Twin Shadow, Tyvek (poppy, gritty punk) @ Le Poisson Rouge ($10)
C Spencer Yeh, White Suns, Dainolith (mem. AIDS Wolf) (avant garde/noise) @ Death By Audio($7)
Fiery Furnaces (see above) @ Rockwood Muisc Hall ($20)
6
The Pains of Being Pure at Heart (saccharine indie pop with subtly dark lyrics) @ Webster Hall
K-Holes (lady noise!) @ Cake Shop ($8)
Total Slacker (sick sick sick) @ Death By Audio ($7)
NYU Strawberry Festival feat. Secret Guest, Ducktails, Pterodactyl, So So Glos
10
Yo La Tengo (inventors of noise pop) @ Bell House (Sold Out)
11
Yo La Tengo (see above) @ Bell House (Sold Out)
CSS (ultra hip crazy dance pop with punk attitude from Brazilian ladies), Sleigh Bells (ultra hip duo with danceable heavy hip-hop beats + girly vocals + metal/hardcore/industrial sheets of guitar noise + some screaming) @ Webster Hall (Sold Out)
Vaz (noise) @ Cake Shop
12
CSS, Sleigh Bells (see above) @ Music Hall of Williamsburg (Sold Out)
15
CSS, Sleigh Bells (see above) @ Bowery Ballroom (Sold Out)
Hunters, Yvette @ Death By Audio ($7)
19
The Antlers (sad noisy music) @ Music Hall of Williamsburg
20
The Antlers (see above) @ Bowery Ballroom
Thurston Moore (Sonic Youth), I Feel Tractor @ Music Hall of Williamsburg
27
Pterodactyl, Screens, Zulus @ Death By Audio ($7)
June
2
Stiff Little Fingers (late 70's UK punk)
12
T.S.O.L. (original SOCAL hardcore) @ Santos Party House ($12)
23
Dinosaur Jr (late 80's/early 90's loud proto-alt rock, performing their classic album Bug), Fucked Up (wall of sound meets hardcore/thrash meets best thing ever) @ Terminal 5
26
Archers Loaf @ Webster Hall
July
12
Animal Collective @ Prospect Park
August
12
Sonic Youth @ Williamsburg Waterfront
The Streets @ Terminal 5
Lightning Bolt, Pterodactyl @ Le Poisson Rouge * Greenwich Village, Manhattan * $12 adv / $14 dos
Both of these bands are named after cool things from the sky. There are two people in Lightning Bolt and they are both named Brian. One Brian plays a heavily distorted bass guitar very very very very fast and very very very very loud. The other Brian plays the drums very very very very very very very fast and yells into a mic that he has in his mouth. Pterodactyl are not as heavy, but have just as much energy as Lightning Bolt - their manic noise rock is chaotic but tight. They are one of Brooklyn's best and most unrated bands. [lightning myspace] [ptero myspace]
Other shows
Woods (otherworldly psych-folk) @ 285 Kent ($10)
Grooms (Sonic Youth-y post punk, not headlining) @ Santos Party House ($12)
Tomorrow!! Friday, April 29
Shellshag, Songs for Moms, Landlord @ Silent Barn * Ridgewood, Queens
Shellshag are basically mom and dad to the young Brooklyn pop-punk scene. They have fun and you will too. More importantly, Songs for Moms are playing - they are from California and not exactly frequent tourers, so this is not to be missed. Their album I Used to Believe in the West was #12 on my best of 2009 list. They are three ladies who play country-tinged punk, but in such a good way, you can't even believe it. [shellshag myspace] [moms myspace]
Other shows
...and You Will Know Us by the Trail of Dead @ Bowery Ballroom ($20)
Saturday, April 30
Titus Andronicus, Dinowalrus @ Music Hall of Williamsburg * Williamsburg, Brooklyn * SOLD OUT
Titus Andronicus are a band from New Jersey who play music that evolved from hardcore punk, but tends to be epic, emotive rants about history and moral struggle. But they rock so hard and mean it so truly that their music never gets weighed down by the size of the emotions and issues their songs tackle. Dinowalrus are psychedelic as fuck, and very good. [titus myspace] [dino myspace]
Other shows
Japanther @ Brooklyn Fireproof East ($10)
Wednesday, May 4
Gang Gang Dance @ Music Hall of Williamsburg * Williamsburg, Brooklyn
Gang Gang Dance are too cool for words. They are an experimental dub group from Brooklyn whose music is steeped in hip hop, dub and a thousand rhythmic styles from Asia, Africa, Latin America and the Middle East. But they aren't some cheesy world-fusion bullshit, their music is dark, primal and truly their own. Their frontwoman, who goes by "The LZA" (how cool is that?), is totally wack. [myspace]
Other shows
Fiery Furnaces (Bluesy pop by WACK bro and sis duo) @ Rockwood Music Hall ($20)
Pterodactyl (see above) @ Silent Barn ($8)
The long view...
May
5
Thermals, Twin Shadow, Tyvek (poppy, gritty punk) @ Le Poisson Rouge ($10)
C Spencer Yeh, White Suns, Dainolith (mem. AIDS Wolf) (avant garde/noise) @ Death By Audio($7)
Fiery Furnaces (see above) @ Rockwood Muisc Hall ($20)
6
The Pains of Being Pure at Heart (saccharine indie pop with subtly dark lyrics) @ Webster Hall
K-Holes (lady noise!) @ Cake Shop ($8)
Total Slacker (sick sick sick) @ Death By Audio ($7)
NYU Strawberry Festival feat. Secret Guest, Ducktails, Pterodactyl, So So Glos
10
Yo La Tengo (inventors of noise pop) @ Bell House (Sold Out)
11
Yo La Tengo (see above) @ Bell House (Sold Out)
CSS (ultra hip crazy dance pop with punk attitude from Brazilian ladies), Sleigh Bells (ultra hip duo with danceable heavy hip-hop beats + girly vocals + metal/hardcore/industrial sheets of guitar noise + some screaming) @ Webster Hall (Sold Out)
Vaz (noise) @ Cake Shop
12
CSS, Sleigh Bells (see above) @ Music Hall of Williamsburg (Sold Out)
15
CSS, Sleigh Bells (see above) @ Bowery Ballroom (Sold Out)
Hunters, Yvette @ Death By Audio ($7)
19
The Antlers (sad noisy music) @ Music Hall of Williamsburg
20
The Antlers (see above) @ Bowery Ballroom
Thurston Moore (Sonic Youth), I Feel Tractor @ Music Hall of Williamsburg
27
Pterodactyl, Screens, Zulus @ Death By Audio ($7)
June
2
Stiff Little Fingers (late 70's UK punk)
12
T.S.O.L. (original SOCAL hardcore) @ Santos Party House ($12)
23
Dinosaur Jr (late 80's/early 90's loud proto-alt rock, performing their classic album Bug), Fucked Up (wall of sound meets hardcore/thrash meets best thing ever) @ Terminal 5
26
Archers Loaf @ Webster Hall
July
12
Animal Collective @ Prospect Park
August
12
Sonic Youth @ Williamsburg Waterfront
The Streets @ Terminal 5
Wednesday, December 23, 2009
Best Albums of 2009, Part 4: #15-11
PREVIOUS>>
Part 1 - Rules and Runners Up
Part 2 - #25-21
Part 3 - #20-16
#15
The Zookeepers - Ballin' Outrageous
self-released
It's been a while I've heard a band that can play in a different genre on every track of an album without sounding like they are having an identity crisis. But Ballin' Outrageous is an explosive record, with creativity flying out in every direction. From the synth-pop anthem that opens the album to the folky indie pop of "Sicky Sweet" to the post-hardcore rant of the title track, it's clear within three tracks, no classification can hold this band. However, the whole album is held together as a single statement because each song captures the same youthful, quirky energy, along with a good sense of melodies and hooks. The album can seem slightly unedited, which is slightly frustrating. But it also makes me think as the band gets older, the next releases will just get better. And this one's pretty damn good!
How I found it: Artrocker, who by the way, has the best "Best of 2009" list I've seen so far.
Track picks: "Chicken," "Ballin' Outrageous"
Links: [MySpace] [FREE* Full Album Download]
*but please donate so they have money to make another album soon!
#14
Here We Go Magic - Here We Go Magic
Western Vinyl
I've been thinking for a while about how to make Here We Go Magic not sound bad. They've got a certain "world music" influence, as evidenced by the marimba-based groove in the opening track, and such nods to African and Asian music have been widely abused in the last few years. But HWGM does it right - it's understated and doesn't sound co-opted. It fits naturally, on an emotive level, with the type of music the band is trying to make. Like a darker Animal Collective, HWGM have enticing, quiet pop melodies and hundreds of tiny sonic pieces perfectly interlocking in intricate layers of sound.
How I found it: Lotsa places
Track picks: "Fangela," "Only Pieces"
Link: [MySpace]
#13
Screaming Females - Power Move
Don Giovanni
Screaming Females are everything a rock band should be. I don't think Power Move is their best album (Baby Teeth has slightly better songwriting), but it certainly their most sophisticated in terms of stylistic breadth and recording quality. Although the attention usually goes to guitar hero frontwoman Marrissa Paternoster, all three members are exceptionally talented musicians. The shredding, riff-rich guitar playing couldn't thrive without its more steady riff-rich counterpart on the bass. And the bombastic drumming keeps the whole thing from ever touching ground. This might be the greatest indie rock band on earth.
How I found it: They opened for Dinosaur Jr.
Track picks: "Bell," "Lights Out"
Link: [MySpace]
#12
Woods - Songs of Shame
Woodsist
The strange psychedelic folk-pop of Woods is certainly some of the most beautiful music of 2009. The amazing melodies remind me of Neil Young and the Byrds, but there's something more distant about Woods that makes their music haunting. It's a hint of something otherworldly, or like looking at something under water - something you can't quite understand or see clearly. The faint but nagging spookiness lurking in every song makes this album truly original and impossible to forget.
Read more from the original RFR review...
How I found it: the internet
Track picks: "To Clean," "Rain On"
Link: [MySpace]
#11
Songs for Moms - I Used to Believe in the West
Thrill House
This is one of those albums that completely dominated my life when I first started listening to it. I was impatient any time I couldn't spend listening to it, and I was even impatient when listening to it because I could only listen to one song at once. Folk/country-tinted punk from three California girls, Songs for Moms have put out a truly great album. The songwriting and arrangements are simple but brilliant, each part filling its roll in the music better than anything else could. Lyrically, the album is a remarkable achievement, the words startling in their honesty but endlessly clever and never cliche. I Used to Believe feels comfortable as an album, everything circling the same images and ideas without quite becoming conceptual. I can't imagine a better folk-punk album than this.
How I found it: Screaming Females via their "Best Albums of 2009" list
Track picks: "With Shotguns," "In the West"
Link: [MySpace]
NEXT>> Part 5: #10-6
Part 6: #5-1
Part 1 - Rules and Runners Up
Part 2 - #25-21
Part 3 - #20-16
#15
The Zookeepers - Ballin' Outrageous
self-released
It's been a while I've heard a band that can play in a different genre on every track of an album without sounding like they are having an identity crisis. But Ballin' Outrageous is an explosive record, with creativity flying out in every direction. From the synth-pop anthem that opens the album to the folky indie pop of "Sicky Sweet" to the post-hardcore rant of the title track, it's clear within three tracks, no classification can hold this band. However, the whole album is held together as a single statement because each song captures the same youthful, quirky energy, along with a good sense of melodies and hooks. The album can seem slightly unedited, which is slightly frustrating. But it also makes me think as the band gets older, the next releases will just get better. And this one's pretty damn good!
How I found it: Artrocker, who by the way, has the best "Best of 2009" list I've seen so far.
Track picks: "Chicken," "Ballin' Outrageous"
Links: [MySpace] [FREE* Full Album Download]
*but please donate so they have money to make another album soon!
#14
Here We Go Magic - Here We Go Magic
Western Vinyl
I've been thinking for a while about how to make Here We Go Magic not sound bad. They've got a certain "world music" influence, as evidenced by the marimba-based groove in the opening track, and such nods to African and Asian music have been widely abused in the last few years. But HWGM does it right - it's understated and doesn't sound co-opted. It fits naturally, on an emotive level, with the type of music the band is trying to make. Like a darker Animal Collective, HWGM have enticing, quiet pop melodies and hundreds of tiny sonic pieces perfectly interlocking in intricate layers of sound.
How I found it: Lotsa places
Track picks: "Fangela," "Only Pieces"
Link: [MySpace]
#13
Screaming Females - Power Move
Don Giovanni
Screaming Females are everything a rock band should be. I don't think Power Move is their best album (Baby Teeth has slightly better songwriting), but it certainly their most sophisticated in terms of stylistic breadth and recording quality. Although the attention usually goes to guitar hero frontwoman Marrissa Paternoster, all three members are exceptionally talented musicians. The shredding, riff-rich guitar playing couldn't thrive without its more steady riff-rich counterpart on the bass. And the bombastic drumming keeps the whole thing from ever touching ground. This might be the greatest indie rock band on earth.
How I found it: They opened for Dinosaur Jr.
Track picks: "Bell," "Lights Out"
Link: [MySpace]
#12
Woods - Songs of Shame
Woodsist
The strange psychedelic folk-pop of Woods is certainly some of the most beautiful music of 2009. The amazing melodies remind me of Neil Young and the Byrds, but there's something more distant about Woods that makes their music haunting. It's a hint of something otherworldly, or like looking at something under water - something you can't quite understand or see clearly. The faint but nagging spookiness lurking in every song makes this album truly original and impossible to forget.
Read more from the original RFR review...
How I found it: the internet
Track picks: "To Clean," "Rain On"
Link: [MySpace]
#11
Songs for Moms - I Used to Believe in the West
Thrill House
This is one of those albums that completely dominated my life when I first started listening to it. I was impatient any time I couldn't spend listening to it, and I was even impatient when listening to it because I could only listen to one song at once. Folk/country-tinted punk from three California girls, Songs for Moms have put out a truly great album. The songwriting and arrangements are simple but brilliant, each part filling its roll in the music better than anything else could. Lyrically, the album is a remarkable achievement, the words startling in their honesty but endlessly clever and never cliche. I Used to Believe feels comfortable as an album, everything circling the same images and ideas without quite becoming conceptual. I can't imagine a better folk-punk album than this.
How I found it: Screaming Females via their "Best Albums of 2009" list
Track picks: "With Shotguns," "In the West"
Link: [MySpace]
NEXT>> Part 5: #10-6
Part 6: #5-1
Tuesday, December 22, 2009
Best of 2009 according to Screaming Females, Dinowalrus and Pterodactyl!
Why take my advice on the best albums of 2009 when you can take the advice of some of the best musicians of 2009?
Screaming Females
Jarrett's list:
1. JEFF the brotherhood - Heavy Days (Infinity Cat Records)
2. Cheeky - What the Heck (Freedom School Records)
3. Stupid Party - s/t (Freedom School Records)
4. Songs for Moms - I Used to Believe in the West (Thrillhouse Records)
5. Bad Blood - Tongue Twisting Tunes for Tiny Tots (Dead Broke
Rekerds/ Sweet Dreams Records)
6. Mattress - Babystar Gallactica EP (Self-Released)
7. Teenage Cool Kids - Foreign Lands (Protagonist Music)
8. Delay - Plain Language (Plan-It-X Records/ Salinas Records)
9. Double Dagger - More (Thrill Jockey Records)
10. Ex-Wife - Everything Was Beautiful (Self-Released)
Michael's list:
1. Songs for Moms- I Used to Believe in the West
2. Stupid Party- s/t
3. Jeff the Brotherhood- Heavy Days
4. The Thermals- Now We Can See
5. Bad Blood Revival- Tongue Twisting Tunes for Tiny Tots
6. Dinosaur Jr.- Farm
7. Cheeky- What the Heck
8. Pissed Jeans- King of Jeans
9. Cheap Girls- My Roaring 20's
10. Jay Reatard- Watch Me Fall
11. ANS- Pressure Cracks
12. Batrider- Why We Can't Be Together
13. Batrider- Bag Wine Forever
14. King Tuff- Was Dead
15. Arctic Monkeys- Humbug
16. Ex-Wife- Everything Was Beautiful
17. Lighten Up- Absolutely Not
18. Super Furry Animals- Dark Days Light Years
19. Kreamy 'Lectric Santa- Operation Spacetime Cinderblock
20. Delay- Plain Language
[MySpace]
Dinowalrus
Fifteen Albums that Pete Dinowalrus Fell in Love with in 2009 that Didn't Come out in 2009
The Chameleons UK - Strange Times
Cows - Cunning Stunts
Dizzee Rascal - Maths and English
Warren G - Regulate...G Funk Era
Trans Am - Red Line
Giorgio Moroder - From Here to Eternity
Gong - Angel's Egg
Guns N' Roses - GNR Lies
Happy Mondays - Pills 'n' Thrills and Bellyaches
The Jesus and Mary Chain - Automatic
Neu - Neu 75
Venom - Welcome to Hell
Loop - Fade Out
Spectrum - Soul Kiss (Glide Divine)
Six Finger Satellite - Law of Ruins
[Dinowalrus MySpace]
Pterodactyl
grass widow - s/t (captured tracks)
dirty projectors - bitta orca
deerhunter - rainwater cassette exchange
yellowfever - s/t
telepathe - dance mother
strange boys - and girls club
pc worship - nyc stone age
marnie stern - this is it...
colorguard - shared planet
king tuff - was dead (Burger Records Reissue) - this one came out in 2008 I believe but this reissue was handed to us by a guy from Thee Makeout Party and blew our minds over and over and over again while on tour.
[Pterodactyl MySpace]
Screaming Females
Jarrett's list:
1. JEFF the brotherhood - Heavy Days (Infinity Cat Records)
2. Cheeky - What the Heck (Freedom School Records)
3. Stupid Party - s/t (Freedom School Records)
4. Songs for Moms - I Used to Believe in the West (Thrillhouse Records)
5. Bad Blood - Tongue Twisting Tunes for Tiny Tots (Dead Broke
Rekerds/ Sweet Dreams Records)
6. Mattress - Babystar Gallactica EP (Self-Released)
7. Teenage Cool Kids - Foreign Lands (Protagonist Music)
8. Delay - Plain Language (Plan-It-X Records/ Salinas Records)
9. Double Dagger - More (Thrill Jockey Records)
10. Ex-Wife - Everything Was Beautiful (Self-Released)
Michael's list:
1. Songs for Moms- I Used to Believe in the West
2. Stupid Party- s/t
3. Jeff the Brotherhood- Heavy Days
4. The Thermals- Now We Can See
5. Bad Blood Revival- Tongue Twisting Tunes for Tiny Tots
6. Dinosaur Jr.- Farm
7. Cheeky- What the Heck
8. Pissed Jeans- King of Jeans
9. Cheap Girls- My Roaring 20's
10. Jay Reatard- Watch Me Fall
11. ANS- Pressure Cracks
12. Batrider- Why We Can't Be Together
13. Batrider- Bag Wine Forever
14. King Tuff- Was Dead
15. Arctic Monkeys- Humbug
16. Ex-Wife- Everything Was Beautiful
17. Lighten Up- Absolutely Not
18. Super Furry Animals- Dark Days Light Years
19. Kreamy 'Lectric Santa- Operation Spacetime Cinderblock
20. Delay- Plain Language
[MySpace]
Dinowalrus
Fifteen Albums that Pete Dinowalrus Fell in Love with in 2009 that Didn't Come out in 2009
The Chameleons UK - Strange Times
Cows - Cunning Stunts
Dizzee Rascal - Maths and English
Warren G - Regulate...G Funk Era
Trans Am - Red Line
Giorgio Moroder - From Here to Eternity
Gong - Angel's Egg
Guns N' Roses - GNR Lies
Happy Mondays - Pills 'n' Thrills and Bellyaches
The Jesus and Mary Chain - Automatic
Neu - Neu 75
Venom - Welcome to Hell
Loop - Fade Out
Spectrum - Soul Kiss (Glide Divine)
Six Finger Satellite - Law of Ruins
[Dinowalrus MySpace]
Pterodactyl
grass widow - s/t (captured tracks)
dirty projectors - bitta orca
deerhunter - rainwater cassette exchange
yellowfever - s/t
telepathe - dance mother
strange boys - and girls club
pc worship - nyc stone age
marnie stern - this is it...
colorguard - shared planet
king tuff - was dead (Burger Records Reissue) - this one came out in 2008 I believe but this reissue was handed to us by a guy from Thee Makeout Party and blew our minds over and over and over again while on tour.
[Pterodactyl MySpace]
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